ABSTRACT

This book focuses on the performance of oral epics and explores the significance of performance features for the interpretation of epic poetry.

The leading question of the book is how the socio-cultural context of performance and the various performance elements contribute to the meaning of oral epics. This is a question which not only concerns epics collected from living oral tradition, but which is also of importance for the understanding of the epics of antiquity and the Middle Ages which originated and flourished in an oral milieu.

The book is based on fieldwork in the still vibrant oral traditions of the Turkic peoples of Central Asia and Siberia. The discussion combines fieldwork with theory; it is not limited to Turkic epics but branches out into other oral traditions.

chapter |8 pages

Introduction

part 1|56 pages

Settings

chapter 1|12 pages

How to Identify an Oral Epic

chapter 2|25 pages

The Singer

chapter 3|17 pages

Introducing Performance

part 2|84 pages

Performance

chapter 4|18 pages

Voice

chapter 5|22 pages

Gesture

chapter 6|23 pages

Oral Epics as Songs

chapter 7|19 pages

Voice and Instrument

part 3|79 pages

Interpretation

chapter 8|28 pages

Words, Music, Meaning

chapter 9|23 pages

The Singer and the Tale

chapter 10|26 pages

Performance and Interpretation