ABSTRACT

This book nuances our understanding of the contemporary creative economy by engaging with a set of three key tensions which emerged over the course of eight European Colloquiums on Culture, Creativity and Economy (CCE): 1) the tension between individual and collaborative creative practices, 2) the tension between tradition and innovation, and 3) the tension between isolated and interconnected spaces of creativity.

Rather than focusing on specific processes, such as production, industries or locations, the tensions acknowledge and engage with the messy and restless nature of the creative economy. Individual chapters offer insights into poorly understood practices, locations and contexts such as co-working spaces in Berlin and rural Spain, creative businesses in Leicester and the role and importance of cultural intermediaries in creative economies within Africa. Others examine the nature of trans-local cultural flows, the evolving "field" of fashion, and the implications of social media and crowdfunding platforms.

This book will be of interest to students, scholars and professionals researching the creative economy, as well as specific cultural and creative industries, across the humanities and social sciences.

chapter 1|12 pages

Introduction

Exploring tensions in the creative economy

chapter 2|12 pages

The field of fashion in the digital age

Insights from global and ‘not-so-global’ fashion centres

chapter 4|13 pages

Crowdfunding and co-creation of value

The case of the fashion brand Linjer

chapter 6|13 pages

Technology as a source for creativity

Insights from the Swiss fashion industry

chapter 7|12 pages

Assessing values of cultural heritage and museums

A holistic framework

chapter 9|15 pages

Cultural intermediaries revisited

Lessons from Cape Town, Lagos and Nairobi

chapter 10|15 pages

Curated by pioneers, spaces and resistance

The development of electronic dance music in Stockholm