ABSTRACT

This no-nonsense reference helps independent filmmakers recognize and solve the critical legal issues they might face throughout the course of making a film.

Author Thomas A. Crowell, TV producer turned entertainment lawyer, will help you to understand and negotiate crucial production contracts, handle actors and their agents, and navigate the perils of copyright infringement and other lawsuits. Updated throughout to address important changes to the law, and incorporating discussion of online distribution, crowd funding, social media marketing, and international productions, this expanded third edition will provide you with the skills to:

  • Protect the copyright to your work.

  • Finance your film and watch out for common financing traps.
  • Understand how tax credits and other incentives are used in film financing.
  • Work with other screenwriters, and protect your script ideas.
  • Adapt a book or comic into a screenplay.
  • Know how to spot the difference between copyright infringement and fair use.
  • Hire crew members, actors, and post-production staff.
  • Draft a production services agreement or a license to use someone else’s work.
  • License music for soundtracks.
  • Negotiate a distribution agreement or understand how to distribute your film alone.
  • Learn how to best position your film for Netflix.
  • Make money from YouTube.

And much more!

Written for accessibility and ease of reference, this book is a vital resource for any student or independent filmmaker wanting their films to be successful and free of legal disasters.

part 1|19 pages

Introduction

part 2|20 pages

Legal Building Blocks: Contract and Intellectual Property

chapter 1|5 pages

Copyright and Intellectual Property

chapter 2|12 pages

The Contract Engine

part 3|48 pages

The Production Company and Financing your Movie

chapter 3|9 pages

Setting up the Production Company

chapter 4|9 pages

Your Professional Team

chapter 5|14 pages

Financing your Movie

part 4|84 pages

Development: Creating, Acquiring, and Managing the Film Property

chapter 7|13 pages

Idea Rights

Protecting Your Pitches and Avoiding Idea "Theft"

chapter 8|15 pages

Creating a Screenplay

chapter 9|37 pages

Acquiring Screenplay Rights

chapter 10|14 pages

Chain of Title

Creating Links of Ownership

part 5|100 pages

Pre-Production

chapter 11|12 pages

Production Services and Co-Productions

chapter 12|10 pages

Product Placement and Sponsorship

chapter 13|13 pages

Hiring Cast and Crew

chapter 14|19 pages

Above the Line

Producers and Directors

chapter 15|8 pages

Below the Line

Crew Services Agreements

chapter 16|32 pages

Performers

part 6|35 pages

Production

chapter 17|8 pages

Extras and Depiction Releases

chapter 18|10 pages

Locations

chapter 19|15 pages

On-Set IP Infringement

part 7|34 pages

Post-Production

chapter 20|3 pages

Post-Production Staff

chapter 21|19 pages

Music

chapter 22|6 pages

Film Clips and Stock Footage

chapter 23|2 pages

Credits and Copyright Notice

part 8|54 pages

Distribution

chapter 24|10 pages

Preparing for Distribution

chapter 25|23 pages

Theatrical Distribution

chapter 26|18 pages

Putting Your Film Online

part 9|103 pages

Conclusion

chapter B|25 pages

The Clause Companion