ABSTRACT

Understanding Authenticity in Chinese Cultural Heritage explores the construction of "authenticity" and its consequences in relation to Chinese cultural heritage—those objects, texts, and intangible practices concerned with China’s past.

Including contributions from scholars around the world reflecting on a range of different materials and time periods, Understanding Authenticity emphasizes the situatedness and fluidity of authenticity concepts. Attitudes toward authenticity change over time and place, and vary between communities and object types, among stakeholders in China as they do elsewhere. The book examines how "authenticity" relates to four major aspects of cultural heritage in China—art and material culture; cultural heritage management and preservation; living and intangible heritage; and texts and manuscripts—with individual contributions engaging in a critical and interdisciplinary conversation that weaves together heritage management, art history, archaeology, architecture, tourism, law, history, and literature. Moving beyond conceptual issues, the book also considers the practical ramifications for work in cultural heritage management, museums, and academic research.

Understanding Authenticity in Chinese Cultural Heritage provides an opportunity for reflection on the contingencies of authenticity debates - not only in relation to China, but also anywhere around the world. The book will be of interest to scholars and students in a variety of fields, including heritage studies, Asian studies, art history, museum studies, history, and archaeology.

chapter |18 pages

Introduction

Understanding Authenticity in Chinese Cultural Heritage

part I|59 pages

Art and Material Culture

chapter Chapter 2|14 pages

Copy, yet Original

“Fang Ni Zan” and the Social Function of Fang Paintings in the 15th–17th Centuries

chapter Chapter 3|14 pages

Substitutional Objects

The Authenticity of Su Shi's Snowy Wave Stone from 1101 to 1700

part II|76 pages

Cultural Heritage Management and Preservation

part III|63 pages

Living and Intangible Cultural Heritage

chapter Chapter 10|14 pages

Crafting Authenticity

Two Case Studies of the Material Metamorphosis of Cultural Heritage in China's Creative Economy

chapter Chapter 12|16 pages

The Modern Invention of Big Red Robe Tea

History, Science, Story, and Performance

part IV|57 pages

Texts and Manuscripts