ABSTRACT

Comprising 45 chapters, written especially for this volume by an international team of leading experts, The Routledge Companion to the Philosophies of Painting and Sculpture is the first handbook of its kind. The editors have organized the chapters across eight broader sections:

  • Artforms
  • History
  • Questions of form, style, and address
  • Art and science
  • Comparisons among the arts
  • Questions of value
  • Philosophers of art
  • Institutional questions

Individual topics include art and cognitive science, evolutionary origins of art, art and perception, pictorial realism, artistic taste, style, issues of race and gender, art and religion, art and philosophy, and the end of art. The work of selected philosophers is also discussed, including Diderot, Hegel, Ruskin, Gombrich, Goodman, Wollheim, and Danto. With an introduction from the editors and comprehensively indexed, The Routledge Companion to the Philosophies of Painting and Sculpture serves as a point of entry to the subject for a broad range of students as well as an up-to-date reference for scholars in the field.

chapter |2 pages

Introduction

part I|73 pages

Artforms

chapter 2|11 pages

Sculpture

chapter 3|11 pages

Printmaking

Impressions, Editions, and Reproductions

chapter 4|10 pages

Erotic Art and the Nude

chapter 5|10 pages

On Regarding Digital Art

chapter 6|10 pages

Performance Art

chapter 7|7 pages

You Had to Be There

Installation as Art Form and Argument

part II|70 pages

History

chapter 8|15 pages

Antiquity

chapter 10|8 pages

What Was Fine Art?

Painting and Sculpture Before and After the Reign of the Fine Arts

chapter 13|10 pages

End of Art and the Plastic Arts

chapter 14|7 pages

The Avant-Garde

part III|36 pages

Questions of Form, Style, and Address

chapter 15|8 pages

Style

chapter 16|10 pages

Pictorial Organization

chapter 17|9 pages

Realism

chapter 18|7 pages

Functional Art

part IV|24 pages

Art and Science

chapter 19|11 pages

Evolution and the Fine Arts

chapter 20|11 pages

Cognitive Psychology

part V|79 pages

Comparisons among the Arts

chapter 21|10 pages

Fine Arts of Display

Photography, Painting, Drawing

chapter 24|9 pages

Painting and Theater

chapter 25|10 pages

Painterly Aspirations in Poetry

chapter 26|7 pages

Painting and Comics

chapter 27|12 pages

The Medium (Re)viewed

Returning to an Excursus on Painting, Film, and Photography

part VI|68 pages

Questions of Value

chapter 29|10 pages

Religion

chapter 30|10 pages

“Art Is How We Love Ourselves Now”

Race, Fine Art, and the Dignity of Criticism

chapter 31|13 pages

Philosophical Works of Art

chapter 32|15 pages

Pittura

A Gendered Template for Painting

chapter 33|18 pages

Truth and Truthfulness in Painting

part VII|67 pages

Philosophers of Art

chapter 34|10 pages

Diderot

chapter 35|13 pages

Hegel on Sculpture and Painting

chapter 36|9 pages

John Ruskin on Painting and Sculpture

chapter 37|8 pages

Nelson Goodman's Theory of Expression and Exemplification

Problems and Halting Solutions

chapter 38|10 pages

E. H. Gombrich

chapter 39|10 pages

Richard Wollheim

chapter 40|5 pages

Arthur Danto

part VIII|61 pages

Institutional Questions

chapter 41|10 pages

Forgery and Authenticity

chapter 42|17 pages

Museum as Mirror

The Art Museum as Cultural Mirror

chapter 43|8 pages

Conservation and Restoration

chapter 44|10 pages

Space Is Place

Why the Placement of Sculpture Matters

chapter 45|14 pages

Taste for Painting and Sculpture