ABSTRACT

This edited volume explores the singularity of embodiment and somatic approaches in the healing of trauma from a dramatherapy, theatre and performance perspective.

Collating voices from across the fields of dramatherapy, theatre and performance, this book examines how different interdisciplinary and intercultural approaches offer unique and unexplored perspectives on the body as a medium for the exploration, expression and resolution of chronic, acute and complex trauma as well as collective and intergenerational trauma. The diverse chapters highlight how the intersection between dramatherapy and body-based approaches in theatre and performance offers additional opportunities to explore and understand the creative, expressive and imaginative capacity of the body, and its application to the healing of trauma.

The book will be of particular interest to dramatherapists and other creative and expressive arts therapists. It will also appeal to counsellors, psychotherapists, psychologists and theatre scholars.

chapter |9 pages

Introduction

Interdisciplinary Perspectives on Trauma and the Body

part I|115 pages

Theoretical Perspectives

chapter Chapter 1|17 pages

The Imagined Body

Drama Therapy's Unique Contribution to Trauma Treatment

chapter Chapter 2|17 pages

The Emotional Body

A Somatic and Trauma-Informed Practice for Cultivating Expressive Capabilities for the Actor and the Individual

chapter Chapter 3|18 pages

Playful and Poetic Embodiment for Indirect Processing of Trauma Using Masks

A Drama Therapy Framework Inspired by Lecoq's Physical Theatre Pedagogy

chapter Chapter 4|15 pages

Engaging the Body From a Distance

Online Dramatherapy with Traumatised Children

chapter Chapter 5|15 pages

Therapy of Gesture

Integrating Psychophysical Approaches from Theatre and Therapy in the Healing of Trauma

chapter Chapter 6|16 pages

Playing in Multifaceted Trauma

Reflections on Embodied Drama Therapy in South Africa

part II|11 pages

Intersection

chapter Chapter 8|9 pages

In the Shadow of Oppression

Nora Amin's Theatre of Crime

part III|110 pages

Practice and Research Perspectives

chapter Chapter 9|16 pages

The Girl at Christmas Cottage

An Embodied Experience of Making Theatre in Individual Dramatherapy with an Adopted Child

chapter Chapter 10|16 pages

Gesture in Actor Training and With Survivors of BPD Diagnosis

Finding Communication Towards Relational Thirdness

chapter Chapter 11|12 pages

Hands

Their Rhythms, Gestures, and the Portal They Offer in Therapy

chapter Chapter 12|13 pages

The Voice and Anger

Experiences of Healing Through Performance

chapter Chapter 14|13 pages

The Harmless Ghost

A Mythopoetic Approach to Trauma

chapter Chapter 15|19 pages

Healing the Intergenerational Trauma of Enslavement

The Enactment of Historical Documents with Afro-Colombian Youth