ABSTRACT

The Third Space serves a crucial need for contemporary performers by providing an interdisciplinary and physiovocal approach to training. It is a new take on body and voice integration designed to develop the holistic performer. It takes performers through a series of step-by-step practical physiovocal exercises that connects the actor’s centre to the outside world, which increases awareness of self and space. It also develops a deeper connection between spaces within the body and the environment by connecting sound, imagination, and movement.

Robert Lewis’s approach is a way of working that unlocks the imagination as well as connecting performers to self, space, and imagination, through voice and body. It conditions, controls, and engages performers by integrating various voice and movement practices.

The theories and practice are balanced throughout by:

  • introducing the practical works theoretical underpinnings through research, related work, and case studies of performances;
  • demonstrating a full program of exercises that helps performers get in touch with their centre, their space, and shape both within and outside the body; and
  • exploring the performers physiovocal instrument and its connection with imagination, energies, and dynamics.

This book is the result of nearly 20 years of research and practice working with voice and movement practitioners across the globe to develop training that produces performers that are physiovocally ready to work in theatre, screen, and emergent technologies.

chapter |6 pages

Introduction

part 1|35 pages

The Third Space

chapter 1|7 pages

The Human Voice in Crisis

chapter 2|5 pages

Intercultural Influences

chapter 3|11 pages

Related Work

Alfred Wolfsohn and Roy Hart Theatre

chapter 4|10 pages

The Self, Centre, and Beyond

part 2|96 pages

The First Space

chapter 5|16 pages

Integrative Patterns

chapter 6|78 pages

The Active Centre

part 3|28 pages

The Second Space

chapter 7|12 pages

Physiovocal Shape Qualities

chapter 8|9 pages

Physiovocal Shape Forms and Space

chapter 9|5 pages

Putting into Practice

Savages

part 4|65 pages

The Third Space

chapter 10|19 pages

Training Background

chapter 11|6 pages

The Walks

chapter 12|18 pages

Imagery

chapter 13|3 pages

Post-Verbal

chapter 14|13 pages

Putting into Practice: Dr Faustus, 5, The Oedipus Project, and Iam Nocte

Dr Faustus: Sound, Text, and Imagery

chapter |4 pages

Conclusion