ABSTRACT

This book offers the analysis of a selection of North American texts that dismantle and resist normative frames through the resignification of concepts such as unhappiness, precarity, failure, and vulnerability. The chapters bring to the fore how those potentially negative elements can be refigured as ambivalent sites of resistance and social bonding. Following Sara Ahmed’s rereading of happiness, other authors such as Judith Butler, Wendy Brown, Jack Halberstam, Lauren Berlant, or Henry Giroux are mobilized to interrogate films, memoirs, and novels that deal with precarity, alienation, and inequality. The monograph contributes to enlarging the archives of unhappiness by changing the focus from prescribed norms and happy endings to unruly practices and unhappy beginnings. As the  different contributors show, unhappiness, precarity, vulnerability, or failure can be harnessed to illuminate ways of navigating the world and framing society that do not necessarily conform to the script of happiness—whatever that means.

chapter |8 pages

Introduction 1

An Approach to Unhappy Beginnings

chapter 1|13 pages

Nomadland

A Narrative of Class and Age Vulnerability in the 21st Century 1

chapter 2|14 pages

“They endured”

Precarity, Vulnerability, and Resistance in the Works of Jesmyn Ward

chapter 3|13 pages

Happy Endings and Unhappy Beginnings 1

Representing Precarity and Vulnerability in Recessionary Comedies

chapter 4|12 pages

The Road to Serfdom 1

The (Unhappy) Neoliberal Workplace in The Assistant

chapter 5|13 pages

Disaffected Archives

Jacqueline Woodson's Cruel Attachments in Red at the Bone 1

chapter 7|12 pages

Trans-forming Transness

The Failed Dissident Body as (Non)Human Political Possibility in Kai Cheng Thom's Fierce Femmes and Notorious Liars

chapter 8|13 pages

Of Morrissey and Other Antisocial Icons 1

Unhappiness and Failure in Elliott DeLine's Refuse

chapter 9|13 pages

Stigma, Vulnerability, Unhappiness, and Abjection

How Angels in America Reconstructs AIDS Politics of Silence

chapter 10|13 pages

Powers of Failure

The Catcher in the Rye Against Early Neoliberal Rationality

chapter 11|11 pages

Reimagining Hope in the Age of Despair

The Films of Roberto Minervini

chapter 13|13 pages

Run, Rabbits, Run

Post-Racialism, Modern Slavery, and Slow Violence in Jordan Peele's Get Out

chapter 14|12 pages

Cold Feelings

Apathy, Difference, and Withdrawal in Herman Melville's White-Jacket