ABSTRACT

Examining the family saga as an instrument of literary analysis of writing by Italian American women, this book argues that the genre represents a key strategy for Italian American female writers as a form which distinctly allows them to establish cultural, gender and literary traditions.

Spaces are inherently marked by the ideology of the societies that create and practice them, and this volume engages with spaces of cultural and gendered identity, particularly those of the ‘mean streets’ in Italian American fiction, which provide a method of critically analyzing the configurations and representations of identity associated with the Italian American community. Key authors examined include Julia Savarese, Marion Benasutti, Tina De Rosa, Helen Barolini, Melania Mazzucco and Laurie Fabiano.

This book is suitable for students and scholars in Literature, Italian Studies, Cultural Studies and Gender Studies.

chapter 1|47 pages

Icons of ethnicity

Identity and representation of Italian Americans

chapter 2|33 pages

The Italian American counter-flâneuse

The right to the city and embodied streets in Julia Savarese’s The Weak and the Strong (1952) and Marion Benasutti’s No Steady Job for Papa (1966)

chapter 3|39 pages

Genealogies of place

Spatial belonging in Helen Barolini’s Umbertina (1979) and Tina De Rosa’s Paper Fish (1980)

chapter 4|42 pages

Gendering the urban pioneers

Pictorial and emotional geographies in Melania Mazzucco’s Vita (2003) and Laurie Fabiano’s Elizabeth Street (2006)