ABSTRACT

This volume seeks to investigate the representation of the migrant and migration in literary texts and the arts. Through studies that examine works in a range of art forms ‒ novels, theatre, poetry, creative non-fiction, documentary films and performance and video installations ‒ that evoke a variety of historical and (trans)national contexts, the volume focuses on the question of the roles of literature and the arts in representing migration. An important issue considered is the extent to which artistic figuration can act as a counterpoint to social discourse on migrants that often involves stereotypes and reductive views. The different contributions to the volume illustrate that literature and the arts can provide readers and viewers with a space for fluid knowledge production and affective expansion and that within that overarching function, artistic works play three main roles with regard to representing migration: undertaking a socio-political and cultural critique, presenting alternative views to stereotypes that highlight the singularity and complexity of the migrant and providing proposals for different futures.

part IV|36 pages

Migration through Particular Prisms

chapter 9|18 pages

SHE-menism

Girl-trafficking and the Gendered Experiences of Forced Migrations in Soji Cole's Embers

chapter 10|16 pages

‘Times Are Connected through Land and Bodies’ in Native American Literature

Living Landscapes in Toni Jensen and Layli Long Soldier

part V|28 pages

Trajectories for the Future

chapter 11|18 pages

Screening Young Migrants and Cosmopolitan Mobility

Julie Bertuccelli's La Cour de Babel

chapter 12|8 pages

Conclusion