ABSTRACT

With the rise and rise of social media, today’s communication practices are significantly different from those of even the recent past. A key change has been a shift to very small units, exemplified by Twitter and its strict 280-character limit on individual posts. Consequently, highly fragmented communication has become the norm in many contexts. Fragmented Narrative sets out to explore the production and reception of fragmentary stories, analysing the Twitter-based narrative practices of Donald Trump, the Spanish political movement Podemos, and Egyptian activists writing in the context of the 2013 military intervention in Egypt.

Sadler draws on narrative theory and hermeneutics to argue that narrative remains a vital means for understanding, allowing fragmentary content to be grasped together as part of significant wholes. Using Heideggerian ontology, he proposes that our capacity to do this is grounded in the centrality of narrative to human existence itself. The book strives to provide a new way of thinking about the interpretation of fragmentary information, applicable both to social media and beyond.

Contributing to the emerging literature in existential media studies, this timely volume will interest students, scholars and researchers of narrative, new media and language and communication studies.

chapter |14 pages

Introduction

chapter 1|27 pages

Theorising fragmented narrative

Knowing and being

chapter 2|33 pages

Telling stories with fragments

Vertical, horizontal and ambient narrative

chapter 3|26 pages

Interpreting fragmented stories I

Open texts, distanciation and writerly readers

chapter 4|26 pages

Interpreting fragmented stories II

Existential understanding, limited horizons and narrative forestructuring

chapter 5|29 pages

Narrative and truth

Correspondence, coherence and disclosure

chapter |7 pages

Conclusion

Stories, citizens and being