ABSTRACT

This volume brings together the finest research on aesthetics and the philosophy of art by stalwart critics and leading scholars in the field. It discusses various themes, such as the idea of aesthetic perception, the nature of aesthetic experience, attitude theory, the relation of art to morality, representation in art, and the association of aesthetics with language studies in the Indian tradition. It deliberates over the theories and views of Aristotle, Freud, Plato, Immanuel Kant, T. S. Eliot, George Dickie, Leo Tolstoy, R. G. Collingwood, Michael H. Mitias, Monroe C. Beardsley, and Abhinavagupta, among others. The book offers a comparative perspective on Indian and Western approaches to the study of art and aesthetics and enables readers to appreciate the similarities and differences between the conceptions of aesthetics and philosophy of art on a comparative scale detailing various aspects of both.

The first of its kind, this key text will be useful for scholars and researchers of arts and aesthetics, philosophy of art, cultural studies, comparative literature, and philosophy in general. It will also appeal to general readers interested in the philosophy of art.

section Section I|112 pages

Aesthetics and aesthetic perception

chapter 1|22 pages

Aesthetics beyond aesthetics

Regarding the contemporary relevance of the aesthetic and recharting the field of aesthetics*

chapter 2|8 pages

Aesthetic perception*

chapter 3|20 pages

Aesthetic experience*

A review

chapter 5|10 pages

On play and aesthetic theory*

chapter 7|14 pages

Art and goodness

Collingwood’s aesthetics and Moore’s ethics compared*

chapter 8|8 pages

On the challenge of art to philosophy

Aesthetics at the end of epistemology*

section Section II|102 pages

Art, artefact, and the philosophy of art