ABSTRACT

This book looks at the rich and complex history of broadcasting and community broadcasting in the multicultural and multilingual milieu in India. It explores the world of community radio and how community radio broadcasters hear and speak to their audiences under the overarching theme of polyphony.

The book discusses the socio-historical contexts which allowed community radio to thrive in India. It highlights its potential to create alternative spaces of representation, and opportunity and its importance in preserving and disseminating local knowledge and traditions. The author weaves together ethnographic research and literature, as well as personal narratives and stories of those involved in the field. Further, the monograph critically examines the impact of development agendas on community projects and processes, discussing in detail the pervasiveness of the  development discourse in every aspect of community radio and how it manifests on air. It also illustrates the limitations of community radio, within the context of its participation in the “spectacle of development”.

Accessible and deeply insightful, this book will be of interest to researchers and students of cultural studies, sociology, social anthropology, media and communication studies, and South Asian studies.

chapter 1|7 pages

Introduction

chapter 2|16 pages

Don't touch that dial

chapter 3|18 pages

Noise floor

chapter 4|19 pages

Tech specs

chapter 5|18 pages

Following the script

chapter 6|18 pages

Caller screening

chapter 7|17 pages

Feedback and distortion

chapter 8|21 pages

Normalise and amplify

chapter 9|15 pages

Multitrack

chapter 10|21 pages

Pass the mic

chapter 11|3 pages

The mixdown