ABSTRACT

This book provides a unique insight into contemporary curation and management in an innovative London-based gallery.

Using a critical in-depth case study exploration of IMT art gallery’s ‘successes’ and ‘failures’, it illustrates and evaluates contemporary issues and challenges in curatorial initiatives and exhibition-making strategies. IMT operates as a ‘hybrid space’, combining characteristics of both the commercial gallery sector with non-profit artist-led or garage spaces while retaining affiliations to academic teaching and research. This book explores its structure, behaviour, history, partnerships and exhibition programme through a variety of disciplinary lenses, bringing together cultural, creative, economic, and pedagogical perspectives, as well as the effect of recent sociocultural impacts of the global financial crisis, and the COVID-19 pandemic.

Research-based and thought-provoking, this study will be of great interest to researchers, advanced students and professionals in curatorial studies, museum and gallery management, and art markets.

chapter |4 pages

Introduction

chapter 1|7 pages

Orientations

chapter 2|9 pages

The Cult of Possible Elements

chapter 3|8 pages

This Is a Not-Me

chapter 4|4 pages

Five Mouths that Form a Diagram of Desire

chapter 5|4 pages

Hybrid Eggs and Deterritorialization

chapter 6|8 pages

Gallery as Third Mind

chapter 7|19 pages

Bric-à-brac and the Artist-Run

chapter 8|5 pages

All Money Is Blood 1

chapter 9|7 pages

Death

chapter 10|2 pages

A View from Elsewhere

chapter 11|6 pages

The Dream at the Periphery of the Centre

chapter 12|10 pages

Collectivity and ‘a Plan of Living'

chapter 13|4 pages

The Long 1990s

chapter 14|2 pages

2008

chapter 15|7 pages

Being Public

The Threshold and the Café

chapter 16|12 pages

Dead Fingers Talk

A Place that Holds

chapter 17|3 pages

Making a Fucking Mess of It

chapter 18|8 pages

Curatorial Practice

chapter 19|3 pages

Five Mouths Reprise

chapter 20|1 pages

Ends