ABSTRACT

Heroic Girls looks at the recent proliferation of young girl heroes in many recent mainstream films and books. These contemporary ‘final’ girls do not just survive but rather suggest that in doing so they have fundamentally changed something about themselves and or the world around them, seeing them become the ‘First Girls’ of this altered reality. The collection brings together a wide range of perspectives and cultural viewpoints that describe many recent narratives that explore the idea of a Final Girl and her “after-story”. The essays are divided into four sections, beginning with more theoretical approaches; cross-cultural examples; the ways in which fictional narratives bear strong relation to real-world circumstances; examples that more strongly depict themes of resistance, survival, and individual agency; and, finally, those that describe something more fundamental and transformative. Films and television shows covered in the collection include The Girl with All the Gifts, The Witcher, The Hunger Games, Star Wars, The Fear Street and Pan’s Labyrinth. This book will be of interest to researchers and students of film studies, gender studies, and media studies.

chapter |10 pages

Introduction

part I|65 pages

Theoretical Approaches

chapter 1|16 pages

The Narratives of Survival

Final Girls in Videogames

chapter 2|13 pages

Fighting Fate

Representations of a ‘New Order’ in Beautiful Creatures

chapter 3|10 pages

The Shadow Self and the New Girl

Breaking Down the Old Worlds in Ursula Le Guin's The Tombs of Atuan and N.K. Jemisin's The Stone Sky

chapter 4|13 pages

‘She would never fall, because her friend was flying with her’

Gothic Hybridity, Queer Girls and Exceptional States in Helen Oyeyemi's The Icarus Girl (2005) and M. R. Carey's The Girl with All the Gifts (2014)

chapter 5|11 pages

Cheerleaders, Orphans, School Girls

The Persistent Sounding Riot (Grrrl) in the (Televisual) Apocalypse

part II|63 pages

Cross-Cultural Heroes

chapter 6|11 pages

Tranquilas

Monstrous Resistance and Feminist Storytelling

chapter 7|13 pages

Sister-matic Cannibalism in the Dying Breed

Heterotopic Representations of Australia's Lingering Colonial Connectivity

chapter 8|10 pages

Seeking Resistance in Tropes

A Reading of the Final Girl Tropes Used in NH10 and Stree and Its Socio-Cultural Significance

chapter 9|11 pages

A Gothic Agent of Revolt

The Rebel Child Hero in Pan's Labyrinth

chapter 10|16 pages

From Vancouver Island to the City of Troy

Prophecy, Heroism, and Indigenous Classical Reception in Catherine Knutsson's Shadows Cast by Stars

part III|69 pages

Resistance, Revenge, Reimagining

chapter 12|15 pages

‘What about you, Maxine? What's your American Dream?’

X and Pearl Radically Refit the Final Girl with an Axe and Hack Apart the American Pastoral

chapter 13|10 pages

After the Credits Roll

Jade Daniels, Trauma, and the Postmodern Final Girl

chapter 14|13 pages

Killer Girls

Red Riding Hood, Girlhood, and the Final Girl

part IV|57 pages

Into the Future

chapter 16|12 pages

Persephone Distorted

From Teen Witch to Queen of Hell — The Evolution of Sabrina

chapter 17|13 pages

‘The Witch Forever Lives’

Redefining the Path for Empowered Final Girls in the Trilogy Fear Street

chapter 18|16 pages

Last Jedi, Final Girl

Rey, Resistance, and the Future of Star Wars