ABSTRACT

Drawing on theoretical and empirical insights from art teachers in Canada and Europe, this edited volume explores the question of how learning in the arts can be effectively and fairly assessed in the context of higher education.

The chapters consider a rich variety of assessment practices across music, visual and plastic arts, performing arts, design, fashion, dance and music and illustrate how knowledge, competencies, skills and progress can be viably and fairly assessed. Contextual challenges to assessment are also considered in depth, and particular attention is paid to the challenges of reconciling teaching in the arts, aimed at an intuitive transformation of the student, and assessing learning that takes on its meaning in subjectivity and sensitivity.

This text will benefit researchers, academics and educators in higher education with an interest in assessment in the artistic disciplines and in the topic of creativity more broadly. Those specifically interested in educational assessment policy and the visual arts will also benefit from this book.

chapter |5 pages

Introduction

part One|58 pages

Fundamental Perspectives

chapter 2|18 pages

Objectifying Subjectivity

chapter 3|22 pages

The Problem of Authorship

A Thorn in the Side of Assessment

part Two|62 pages

Broader Perspectives

chapter 4|15 pages

From Competitions to Examinations

An Analysis Based on a Range of Practices and Artistic Assessment Criteria in France, Switzerland and Albania

chapter 6|28 pages

From Fail to First

Revising Assessment Criteria in Art and Design

part Three|57 pages

Overlapping Perspectives

chapter 9|15 pages

The Wow Factors

The Assessment of Practical Media and Creative Arts Subjects

part Four|112 pages

Applied Perspectives

chapter 10|19 pages

Assessing Competencies in the Visual Arts

The Case of Francophone Europe