ABSTRACT

This cross-disciplinary volume illuminates the history of early phonography from a transnational perspective, recovering the myriad sites, knowledge practices, identities and discourses which dynamically shaped early recording cultures. With case studies from China, Australia, the United States, Latin America, Russia, Sweden, Germany, Spain, Portugal, France, and Italy, Phonographic Encounters explores moments of interaction and encounter, as well as tensions, between local and global understandings of recording technologies.

Drawing on an array of archival sources often previously unavailable in English, it moves beyond western-centric narratives of early phonography and beyond the strict confines of the recording industry. Contributions from media history, musicology, popular music studies, cultural studies, area studies and the history of science and technology make this book a key and innovative resource for understanding early phonography against the backdrop of colonial and global power relations.

chapter |13 pages

Introduction

Entangled phonographies

part I|63 pages

Negotiating geographical and cultural boundaries

chapter 1|23 pages

Recording studios on tour

Traveling ventures at the dawn of the music industry

chapter 2|20 pages

Global transfer, local realities

Early phonographic practices and challenges in China (1900–1914)

chapter 3|18 pages

Settler colonial soundscapes

Phonograph demonstrations in 1890s Australia

part II|57 pages

Repertoires, auditory practices and the shaping of new listening identities

chapter 5|17 pages

Discòfils

Notes on the birth of the record club and the record listener in 1930s Barcelona

chapter 6|19 pages

Mediatization of music, musicalization of everyday life

New ways of listening to recorded sound in Sweden during the interwar years, 1919–1939

part III|63 pages

Phonography as ideology

chapter 7|21 pages

Recording music, making business

The Russian recording industry at the beginning of the twentieth century

chapter 8|17 pages

‘Phonographic awareness’

Recorded sound in early twentieth-century Italy between aesthetic questions and economic struggles

part IV|65 pages

The social geographies of record-shopping

chapter 10|19 pages

The aesthetic of arrest

The Victor Talking Machine Company's Ready Made Windows program, 1909–1913

chapter 11|20 pages

The phonograph and transnational identity

Selling music records in Philadelphia's Little Italy, 1900s–1920s

chapter 12|18 pages

From the Grands Boulevards to Montparnasse

An essay on the geohistory of the phonograph and sound recording business in Paris (1878–1940)