ABSTRACT

With contributions from noted critics and film historians from both countries, this book, first published in 1994, examines some of the most innovative and disturbing propaganda ever created. It analyses the conflicting images of these films and their effectiveness in defining public perception of the enemy. It also offers pointed commentary on the power of visual imagery to enhance racial tensions and enforce both positive and negative stereotypes of the Other.

part I|4 pages

The Call to Cinematic Arms

part II|64 pages

The Japan — America Film War

part III|50 pages

Manufacturing the Enemy

part IV|44 pages

Violent Images and Their Various Pleasures

part V|24 pages

When the Human Beings Are Gone…

chapter |18 pages

When the Human Beings Are Gone…

The Effects of the Atomic Bomb on Hiroshima and Nagasaki

chapter |4 pages

Discussion Afterword

part VI|84 pages

The Films