ABSTRACT

Austerity and Irish Women’s Writing and Culture, 1980–2020 focuses on the under-represented relationship between austerity and Irish women’s writing across the last four decades. Taking a wide focus across cultural mediums, this collection of essays from leading scholars in Irish studies considers how economic policies impacted on and are represented in Irish women’s writing during critical junctures in recent Irish history. Through an investigation of cultural production north and south of the border, this collection analyses women’s writing using a multimedium approach through four distinct lenses: austerity, feminism, and conflict; arts and austerity; race and austerity; and spaces of austerity. This collection asks two questions: what sort of cultural output does austerity produce? And if the effects of austerity are gendered, then what are the gender-specific responses to financial insecurity, both national and domestic? By investigating how austerity is treated in women’s writing and culture from 1980 to 2020, this collection provides a much-needed analysis of the gendered experience of economic crisis and specifically of Ireland’s consistent relationship with cycles of boom and bust. Thirteen chapters, which focus on fiction, drama, poetry, women’s life writing, ​and women's cultural contributions, examine these questions. This volume takes the reader on a journey across decades and forms as a means of interrogating the growth of the economic divide between the rich and the poor since the 1980s through the voices of Irish women.

part Section 1|59 pages

Austerity, Feminism, and Conflict

chapter 2|18 pages

Two Opposing Narratives?

The Field Day and LIP Pamphlets

chapter 4|22 pages

#WakeUpIrishPoetry

Austerity and Activism in Contemporary Irish Poetry – A Personal Reflection

part Section 2|40 pages

Arts and Austerity

chapter 5|17 pages

Kermit, Cows, and Headless Chickens

Women's Comedy Monologues after the Tiger

chapter 6|21 pages

Balancing Acts

From Survival to Sustainability in Contemporary Irish Theatre and Performance

part Section 3|57 pages

Race and Austerity

chapter 7|17 pages

Intersectionality in Contemporary Melodrama

Normal People (McDonald/Abrahamson, 2020) and Kissing Candice (McArdle, 2018)

chapter 8|17 pages

Austerity and the Precarity ofWhiteness

Polish Characters in Stacey Gregg's Shibboleth (2015) and Rosemary Jenkinson's Here Comes the Night (2016)

chapter 9|21 pages

Black Irish Culture

part Section 4|64 pages

Spaces of Austerity

chapter 11|14 pages

Celtic Tiger Saga Fiction

Patricia Scanlan's City Girls and Marian Keyes' Walsh Family

chapter 12|17 pages

‘Just the Way It Is'

Portraits of Austerity in Short Fiction by Women from the North of Ireland