ABSTRACT

This book explores contested notions of "Chineseness" in Southeast Asia and Hong Kong during the Cold War, showing how competing ideas about "Chineseness" were an important ideological factor at play in the region. After providing an overview of the scholarship on "Chineseness" and "diaspora", the book sheds light on specific case studies, through the lens of the "Chinese cultural Cold War", from Hong Kong, Singapore, Malaya, Thailand, Indonesia and Vietnam. It provides detailed examples of competition for control of definitions of "Chineseness" by political or politically oriented forces of diverse kinds, and shows how such competition was played out in bookstores, cinemas, music halls, classrooms, and even sports clubs and places of worship across the region in the 1950s, 1960s and 1970s. The book also demonstrates how the legacies of these Cold War contestations continue to influence debates about Chinese influence – and "Chineseness" – in Southeast Asia and the wider region today.

Chapter 6 of this book is freely available as a downloadable Open Access PDF at https://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license. 

chapter |21 pages

Introduction

Putting “Chineseness” back into Cold War cultures 1

part I|51 pages

Chineseness and “new China” in Cold War Southeast Asia

part II|58 pages

Anti-communist Chineseness in Cold War Asia

chapter 4|17 pages

State-building and Chinese transnationalism during the Cold War

Chinese sport in the Republic of Vietnam, 1955–1975

chapter 5|16 pages

Soft-boiled, anti-communist romance

The Story Paper and Liu Yichang's A Singapore Story

part III|55 pages

Border-crossing “Chineseness” in Asia

chapter 7|16 pages

North across the Southern Seas

Cold War Chinese careers of Indonesian songs 1

chapter 8|19 pages

Visiting the “overseas Chinese”

Vatican engagement with the Chinese diaspora in Cold War Southeast Asia 1

chapter 9|18 pages

Alternative Chineseness

War experience and national longing in Pan Lei's Red River Trilogy (1952) and Deng Kebao's Alien Lands (1961)