ABSTRACT

Positioning Taiwan in a Global Context examines modern Taiwanese culture through the prism of global cultural interactions. Challenging the view of Taiwan as a product of transience and displacement, it highlights Taiwan’s subjectivity, viewing the island as a site of a global development that epitomizes both resistance and negotiation in the process of cultural flows.

The fourteen contributions by an international team of scholars investigate the multi-layered and multidirectional interplays between the island and the outside world, exploring the impact of complex cultural encounters on the construction, writing and rewriting of Taiwan in a global context. Taking an interdisciplinary approach, the topics covered range from Taiwanese literature, cinema, food culture and tourism to cultural geography, colonial history, and folk religion, with comparisons made with Japan, China, Hong Kong, the Philippines, and the West.

Focusing on continuous cross-cultural interplays, this book affords readers a deeper understanding of identity politics and a better insight into the fluidity, changeability, and constructionist nature of culture. As such, it will be will be of great interest to students and scholars of Taiwan Studies and Cultural Studies, as well as Asian film, literature and popular culture.

chapter |9 pages

Introduction

part I|82 pages

Repositioning Taiwan

chapter 1|17 pages

Positioning ‘Taiwanese literature’ to the world

Taiwan as represented and perceived in English translation

chapter 2|15 pages

Translating Taiwan southward

chapter 3|16 pages

It all starts in Hualien

Pangcah Woman; Rose, Rose, I Love You; and The Man with the Compound Eyes

chapter 4|16 pages

The making of Taiwanese martial arts fiction

The case of Gu Long

chapter 5|16 pages

Indigenizing queer fiction and queer theories

A study on Chi Ta-wei’s sci-fi novels

part II|85 pages

Cultural flows and becoming

chapter 6|16 pages

From ‘Free China’ to sunny paradise

The worlding process in the magazine Tourism in Taiwan (1966–1974)

chapter 7|17 pages

The gourmet paradise

The gustatory gaze toward Taiwan in Japanese tourist media (1964–present)

chapter 8|16 pages

Savage world, immortal island

The colonial gaze and colonial taste of Penglai rice

chapter 9|17 pages

Let’s talk about love

Hong Kong’s geopolitical narratives of emotion and stories of lifestyle migration in Taiwan

chapter 10|17 pages

Getting to know Taiwan

Borrowed gaze, direct involvement and everyday life

part III|63 pages

The production and contestation of indigeneity

chapter 11|15 pages

Localizing the Japanese manga system and making folk religion manga-esque

Wei Tsung-cheng’s Ming Zhan-lu: Final Destiny of the Formosan Gods

chapter 12|15 pages

Charting the transnational within the national

The case of contemporary Taiwan popular cinema

chapter 13|17 pages

Countervisions

Exotic voyages in the work of Hou Hsiao-hsien and Edward Yang

chapter 14|14 pages

Taiwan’s indigenous peoples and cinema

From colonial mascot to Fourth Cinema?