ABSTRACT

Dance on the American Musical Theatre Stage: A History chronicles the development of dance, with an emphasis on musicals and the Broadway stage, in the United States from its colonial beginnings to performances of the present day.

This book explores the fascinating tug-and-pull between the European classical, folk, and social dance imports and America’s indigenous dance forms as they met and collided on the popular musical theatre stage. This historical background influenced a specific musical theatre movement vocabulary and a unique choreographic approach that is recognizable today as Broadway-style dancing. Throughout the book, a cultural context is woven into the history to reveal how the competing values within American culture, and its attempts as a nation to define and redefine itself, played out through developments in dance on the musical theatre stage.

This book is central to the conversation on how dance influences and reflects society, and will be of interest to students and scholars of Musical Theatre, Theatre Studies, Dance, and Cultural History.

chapter |3 pages

Prologue

chapter 1|20 pages

1492–1776

The Earliest Beginnings

chapter 2|26 pages

1776–1866

John Durang and the Dawn of American Theatrical Dance

chapter 3|41 pages

1866–1914

Building a Musical Theatre Dance Vocabulary

chapter 4|31 pages

1914–1929

The Dance Director: Front and Center

chapter 5|38 pages

1929–1943

Depression Ferments New Visions: Ballet and Modern Dance

chapter 6|32 pages

1943–1957

Integration: Dance Narrates

chapter 7|26 pages

1957–1968

Triple Threats Grow as Director-Choreographers Rise

chapter 8|18 pages

1968–1975

The Concept Musical Makes Room for Dance

chapter 9|15 pages

1975–1996

The Age of the Director-Choreographer Wanes

chapter 10|18 pages

1996–2020

Choreography and the Musical Break Open