ABSTRACT

The Routledge Companion to Absurdist Literature is the first authoritative and definitive edited collection on absurdist literature. As a field-defining volume, the editor and the contributors are world leaders in this ever-exciting genre that includes some of the most important and influential writers of the twentieth century, including Samuel Beckett, Harold Pinter, Edward Albee, Eugene Ionesco, Jean Genet, and Albert Camus. Ever puzzling and always refusing to be pinned down, this book does not attempt to define absurdist literature, but attempts to examine its major and minor players. As such, the field is indirectly defined by examining its constituent writers. Not only investigating the so-called “Theatre of the Absurd,” this volume wades deeply into absurdist fiction and absurdist poetry, expanding much of our previous sense of what constitutes absurdist literature. Furthermore, long overdue, approximately one-third of the book is devoted to marginalized writers: black, Latin/x, female, LGBTQ+, and non-Western voices.

chapter |4 pages

Introduction

What Is Absurdist Literature? And Is that What We Are Calling It Now?

part I|132 pages

Origins

part Section 1|91 pages

What Led to Absurdist Literature?

chapter 1|11 pages

Historical Precursors, I

Ancient Tragicomedy and Pastoral Plays

chapter 2|11 pages

Historical Precursors, II

Nonsense! From Carroll and Lear through Wilde and Sitwell to the Postmodern

chapter 3|11 pages

Historical Precursors, III

Gogol and Dostoevsky

chapter 4|11 pages

Bartleby and Beckett

chapter 6|13 pages

OBERIU

The Absurd as a Critique of Poetic Reason

chapter 7|11 pages

The Absurd

Dada and Surrealism

chapter 8|11 pages

T. S. Eliot and the Group Theatre

part Section 2|38 pages

Philosophical Origins

chapter 9|9 pages

Nietzsche's Absurd Tragedy

chapter 10|10 pages

Kierkegaard and the Absurd

chapter 11|8 pages

Sartre and the Absurd

chapter 12|9 pages

Camus and Absurdity

part II|228 pages

Absurdist Literature

part Section 3|55 pages

Samuel Beckett

chapter 13|11 pages

Show not Tell

The “Absurdist” Theatre of Samuel Beckett

chapter 14|10 pages

Beckett's Fiction

chapter 15|10 pages

Credo quia absurdum est

The Subversion of the Rational in Samuel Beckett's Early Poetics

chapter 17|12 pages

Samuel Beckett's Radio Plays

part Section 4|41 pages

1950s

chapter 18|10 pages

Arthur Adamov

chapter 19|10 pages

Jean Genet

chapter 20|10 pages

Eugène Ionesco

part Section 5|128 pages

1960s

chapter 22|10 pages

Edward Albee, Absurdist

chapter 23|11 pages

Amiri Baraka

chapter 24|10 pages

Jack Gelber

chapter 25|9 pages

Arthur Kopit

chapter 26|10 pages

He Brought Her Heart Back in a Box

Adrienne Kennedy's Absurdist Dreamwrighting

chapter 27|11 pages

Tom Stoppard and the Absurd

chapter 29|12 pages

Understanding the Absurd under the Shadow of Late Capitalism

Philip K. Dick, Thomas Pynchon, and Kurt Vonnegut

chapter 31|11 pages

Friedrich Dürrenmatt

chapter 32|13 pages

St. Sisyphus

Günter Grass's Absurdist Social Democracy

part III|130 pages

Absurdist Legacies

part Section 6|41 pages

Feminist, LGBTQ+, and Multiethnic Absurdist Literature

chapter 34|10 pages

Amusing and Shocking

Caryl Churchill's Absurdist Drama

chapter 36|8 pages

“Beckett Just Seems so Black to Me”

Suzan-Lori Parks as Absurdist Playwright

chapter 37|10 pages

(Multi)Ethnic Absurdist Theater

part Section 7|86 pages

World Absurdist Literature

chapter 39|12 pages

Response and Resistance

A Bird's-eye View of the Absurd in the Spanish-speaking Caribbean

chapter 41|13 pages

Indian Theatres of the Absurd

Cultural Politics of Transformation

chapter 42|11 pages

Postcolonial Absurdist Literature