ABSTRACT

Who was Mark Twain? Was he the genial author of two beloved boys books, the white-haired and white-suited avuncular humorist, the realistic novelist, the exposer of shams, the author repressed by bourgeois values, or the social satirist whose later writings embody an increasingly dark view? In light of those and other conceptions, the question we need to ask is not who he was but how did we get so many Mark Twains? The Mercurial Mark Twains(s): Reception History and Iconic Authorship provides answers to that question by examining the way Twain, his texts, and his image have been constructed by his audiences. Drawing on archival records of responses from common readers, reviewer reactions, analyses by Twain scholars and critics, and film and television adaptations, this study provides the first wide-ranging, fine-grained historical analysis of Twain’s reception in both the public and private spheres, from the 1860s until the end of the twentieth century.

part |313 pages

Part I

chapter 1|23 pages

Twain's Early Reception

The Humorist and More

chapter 2|28 pages

Notorious Celebrity

From Tom Sawyer to Huckleberry Finn

chapter 4|24 pages

The Final Decade

From Celebrity Polemicist to Mercurial Icon

part |207 pages

Part II

chapter 6|38 pages

Old Twains, New Twains, and Fresh Controversies

Race, Myth, Adaptations, and the Cold War, 1940–1959

chapter 7|40 pages

Texts, Politics, and Hypercanonization

Corpus, Canon, and Significances in the 1960s and 1970s

chapter 8|88 pages

Ever-Changing Marks

Shaping Twain by Century's End