ABSTRACT

This volume explores how and why we deny, or manipulate, or convert, or enhance reality. Finding it important to come to terms with reality, with what is there before us, and, with reality however defined, to live responsibly, this collection takes a truly multidisciplinary approach to examining the idea that history, the truth, facts, and the events of the present time can be refashioned as prismatic, theatrical, something we can play with for agendas either noble or ignoble.

An international team of contributors considers the issue of how and why, in dealing what is there before us, we play with reality by employing theatre, fiction, words, conspiracy theories, alternate realities, scenarios, and art itself. Chapters delve into issues of fake news, propaganda, virtual reality, theatre as real life, reality TV, and positive ways of refashioning and enhancing your own reality.

Drawing on examples from film studies to sociology, from the social sciences to medicine, this volume will appeal to scholars and upper-level students in the areas of communication and media studies, comparative literature, film studies, economics, English, international affairs, journalism, philosophy, psychology, sociology, and theatre.

chapter |11 pages

Introduction

On a Collection's Title and Subtitle

part Section I|68 pages

Denying and Manipulating Reality

chapter 1|9 pages

The Great Dismissal:

Requiem to Disinterest

chapter 4|8 pages

Onstage Cataclysm

The Play-within-the-Play in Kyd's The Spanish Tragedy

chapter 5|9 pages

How Truth Matters

Soft and Hard Theology and the Lisbon Earthquake

chapter 8|8 pages

The Real Housewives of Ipswich

London Road, and the Relationship between Verbatim Theatre and Structured Reality Television

part Section II|76 pages

Converting Reality

chapter 9|9 pages

Lord of the Fleas

Science, Monsters, and Political Fraud

chapter 11|10 pages

Stardust and Empathy

Jacinda Ardern and the Theatre

chapter 12|8 pages

All the World's a Simulation

chapter 13|8 pages

The Zen of Theseus

Language and Reality from a Buddhist Philosophical Perspective

chapter 14|7 pages

Surviving the Fugue

Reflections on Pandemic Storytelling

chapter 16|7 pages

Blood on the Page

Male Authors on Menstrual Sex

chapter 17|8 pages

Flashbulb Memories

Fictive Reconstructions of Lived Experiences

part Section III|55 pages

Enhancing Reality

chapter 19|8 pages

Playing with Data

The Role of Fictive Narratives in Science

chapter 21|7 pages

Imitation vs. the Real

Making the Invisible Visible through Site-Specific Theatre

chapter 22|8 pages

Gentrifying Reality and Diversity through Site-Specific Theater

Interrogating Ownership, Identity, and Community in Miami Motel Stories

chapter 23|8 pages

Elusive Realities

On the Making of a Documentary

chapter 24|8 pages

Authenticity and No End 1

chapter |7 pages

Epilogue

“If the Man Go to the Water”