ABSTRACT

This edited collection gathers UK and international artists, academics, practitioners, and researchers in the fields of contemporary performance, dance, and live art to offer creative-critical responses to the impact of the COVID-19 pandemic on their work.

Themes addressed in these case studies include the ways in which liveness functions across digital platforms, the new demands on audiences and performance-makers, and the impact on international festivals as the digital removes geographical and locational restrictions. Brought together, these examples capture the creative activity and output that this unexpected cultural moment has provoked. Creative-critical responses interrogate what the global pandemic has taught us about what it is to make live work during lockdown and explore what the future of performance-making in a post-COVID world might look like. 

For all scholars and performance-makers whose work brings them into the sphere of contemporary art and culture, this is an essential and stimulating account of practice at the beginning of the 2020s.

part I|36 pages

Precarity and vulnerability

chapter 1|10 pages

Life on pause

Entanglements of the maternal and the mortal in a global pandemic

chapter 2|12 pages

The impact of COVID-19 on freelance contemporary dance work

Precarity and the vulnerabilities of the dancing body

chapter 3|6 pages

Embrace your vulnerability

Cultivating art, theatricality, and performativity in times of catastrophe

chapter 4|6 pages

The Tenders

Cover to cover – liner notes

part II|33 pages

Art in an emergency

chapter 5|8 pages

Here to Deliver

Conversations with the ghosts of gig work

chapter 6|9 pages

Exploring Mars and other impossibilities

Liveness as labour

chapter 7|14 pages

Recorded performance as digital content

Perspectives from Fringe 2020

part III|31 pages

Outreach and inclusion

chapter 8|8 pages

‘How we open the doors to a community’

Creative collaborations and aesthetic strategies in social isolation

chapter 9|11 pages

Mediating experience

Online community arts participation, a postphenomenological framing

chapter 11|5 pages

Invitation

On making together, apart

part IV|39 pages

Curation

chapter 13|12 pages

Recording My Body, My Archive at Tate Modern

A collision course of curating on the eve of COVID-19

chapter 14|10 pages

Curating community and connection in a crisis

Gift 2020

chapter |3 pages

Postscript