ABSTRACT

First published in 1982, The Truth of Poetry attempts to answer a seemingly simple question: What kind of truth does poetry offer in modern times? Michael Hamburger’s answer to this question ranges over the last century of European and American poetry, and the result is a phenomenology of modern poetry rather than a history of appreciations of individual poets. Stressing the tensions and conflicts in and behind the work of every major poet of the period, he considers the many different possibilities open to poets since Baudelaire. This expansive work of analysis will be of interest to students of English literature, poetry enthusiasts and literary historians.

chapter 1|20 pages

Puerile Utopia and Brutal Mirage

chapter 2|21 pages

The Truth of Poetry

chapter 3|19 pages

Lost Identities

chapter 4|20 pages

Masks

chapter 5|29 pages

Absolute Poetry and Absolute Politics

chapter 6|38 pages

Multiple Personalities

chapter 7|32 pages

Internationalism and War

chapter 8|40 pages

A Period Loose at All Ends

chapter 9|47 pages

A New Austerity

chapter 10|48 pages

Town and Country: Phenotypes and Archetypes

chapter |6 pages

Postscript