ABSTRACT

This book examines novels of Faulkner and Morrison as well as Mark Twain and Ralph Ellison in order to show that their works forcefully undermine the racial and sexual divisions characterizing both the South and contemporary culture in the nineteenth and twentieth centuries. Moreover, the book discusses theories of reader-response and reception study and elaborates a theory of reception study based on the historical or "archeological" methods of Michel Foucault. As a consequence, unlike most studies of American literature, which discuss its historical contexts or prescribe its readers’ responses, this book explains the reception of these works, including the academic criticism and reviews and, because the internet exerts immense influence in the twenty-first century, the on-line responses of ordinary readers. Unlike most reception studies, this book examines the institutional contexts of the readers’ responses.

chapter |19 pages

Introduction

chapter 1|15 pages

Aesthetic Theory

From Adorno to Cultural History

chapter 2|15 pages

Reading in History and in Theory

chapter 3|14 pages

Mark Twain's Detective Fiction

From The Stolen White Elephant and The Double-Barrelled Detective Story to The Adventures of Pudd'nHead Wilson

chapter 4|15 pages

Faulkner's Subversive Modernism

Light in August

chapter 5|19 pages

Ralph Ellison's Invisible Man

Modernism and Democracy in American Literature

chapter 6|11 pages

Three Days Before the Shooting

Modernism and Democracy in/and American Literature

chapter 7|26 pages

Toni Morrison's Beloved

The Forgotten History of Slavery and Patriarchy

chapter 8|16 pages

Toni Morrison's A Mercy

The Critique of Patriarchy and History's Lost Opportunities

chapter |7 pages

Conclusion