ABSTRACT

This volume honors and extends the contributions of educator and scholar Dr. Michael J. Budds to the field of musicology, particularly the study of American music. As the longtime editor of two book series for the College Music Society, Budds nurtured a wide range of scholarship in American music and had a lasting impact on the field. This book brings together scholars who worked with Budds as a colleague, editor, or mentor to carry on his legacy of passionate engagement with America’s rich and varied musical heritage. Ranging through jazz, gospel, Americana, and film music to American classical, and addressing music’s social contexts and analytical structure, the research gathered here attests to the diversity of the mosaic that is American music and the numerous scholarly approaches that have been taken to the subject.

part I|135 pages

The Performance of Black America

chapter Chapter 1|19 pages

Spheres, Progressives, and Slavery

The Long-lingering Effect of Music and Culture Politics in the Nineteenth Century

chapter Chapter 3|37 pages

The Cox Trio

A Study in Black Show Business

chapter Chapter 4|15 pages

Jelly's “Jungle Music”:

Jelly Roll Morton, Duke Ellington, and Jazz Aesthetics

chapter Chapter 5|18 pages

The Pedagogical Legacies of Three Black Gospel Pioneers

Magnolia Lewis-Butts, Sallie Martin, and Roberta Martin

chapter Chapter 6|21 pages

Beyond Category

Duke Ellington as American Piano Original

part II|112 pages

Collaborations in Song

chapter Chapter 7|13 pages

Hanns Eisler's Hollywooder Liederbuch

Or What an Austro-German Émigré Did in Tinseltown During World War II

chapter Chapter 8|25 pages

A Ballad for Our Times:

The Siegmeister–Hughes Connection

chapter Chapter 9|26 pages

Songs of “Little Dixie”:

The Shape-note Hymn Arrangements of Virgil Thomson

chapter Chapter 10|44 pages

Traversing Musical Worlds Through Image and Sound:

Americana on Thomas Hart Benton's Saturday Night at Tom Benton's (Decca Records, 1942) and the Album's Connection to Kansas City, Missouri

part III|27 pages

Critiquing the Past