ABSTRACT

Contemporary Art in Heritage Spaces considers the challenges that accompany an assessment of the role of contemporary art in heritage contexts, whilst also examining ways to measure and articulate the impact and value of these intersections in the future.

Presenting a variety of perspectives from a broad range of creative and cultural industries, this book examines case studies from the past decade where contemporary art has been sited within heritage spaces. Exploring the impact of these instances of intersection, and the thinking behind such moments of confluence, it provides an insight into a breadth of experiences – from curator, producer, and practitioner to visitor – of exhibitions where this juncture between contemporary art and heritage plays a crucial and critical role. Themes covered in the book include interpretation, soliciting and measuring audience responses, tourism and the visitor economy, regeneration agendas, heritage research, marginalised histories, and the legacy of exhibitions.

Contemporary Art in Heritage Spaces

will be essential reading for academics and students engaged in the study of museum and heritage studies and contemporary art around the globe. Museum practitioners and artists should also find much to interest them within the pages of this volume.

Chapter 9 of this book is freely available as a downloadable Open Access PDF at https://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license. 

 

chapter Chapter 1|12 pages

Introduction

part I|52 pages

Reimagining heritage

chapter Chapter 3|17 pages

Making cities

Place, production, and (im)material heritage

chapter Chapter 4|16 pages

Gestured by Brass Art

Gestures, ambiguity, and material transformation at Chetham’s Library

part II|66 pages

Alternative histories

chapter Chapter 6|15 pages

A room of one’s own

Strategies of feminist arts interventions

chapter Chapter 7|18 pages

Contemporary interventions and conflict

The possibilities of ‘critical historical consciousness’ as a mode of heritage production

chapter Chapter 8|15 pages

Mapping contemporary art in the heritage experience

Mary Eleanor Bowes and The Orangery Urns

part III|51 pages

Disciplinary dialogues

chapter Chapter 9|16 pages

Expanded Interiors

Bringing contemporary site-specific fine-art practice to Roman houses at Herculaneum and Pompeii

chapter Chapter 10|17 pages

Practising history

Art, archives, and footnotes

chapter Chapter 11|16 pages

Understanding the audience experience of contemporary visual arts at Geevor Mine World Heritage Site

A dialogue between a contemporary artist and a sociologist

part IV|50 pages

Liminal spaces

chapter Chapter 12|16 pages

Numinous experiences in the home of the Brontës

chapter Chapter 13|15 pages

Transactions of an artist’s placement

Planning Berwick-upon-Tweed with Sander Van Raemdonck

chapter Chapter 14|17 pages

Bruce Nauman at York St Mary’s

A hermeneutic enquiry into ‘the intersection’