ABSTRACT

Providing an intellectual interpretation to the work of Edwidge Danticat, this new edited collection provides a pedagogical approach to teach and interpret her body of work in undergraduate and graduate classrooms. Approaches to Teaching the Works of Edwidge Danticat starts out by exploring diasporic categories and postcolonial themes such as gender constructs, cultural nationalism, cultural and communal identity, and moves to investigate Danticat’s human rights activism, the immigrant experience, the relationship between the particular and the universal, and the violence of hegemony and imperialism in relationship with society, family, and community. The Editors of the collection have carefully compiled works that show how Danticat’s writings may help in building more compassionate and relational human communities that are grounded on the imperative of human dignity, respect, inclusion, and peace.

chapter |10 pages

Introduction

Edwidge Danticat in a Global Classroom and Transnational Context: Rethinking Pedagogy, Transcultural Community, and Engaged Learning

part I|80 pages

Critical Literary, Historical Narrative, and Transformative Pedagogy

chapter 2|26 pages

“We are the Haitian Think Tank”

Cultivating Perspectives in Haitian Youth: Using Danticat’s Krik? Krak!

chapter 4|18 pages

StoryCorps

Incorporating Local Oral History Collections in the Classroom

part II|34 pages

Gender Alliance, Pedagogy, and Engaged Learning

chapter 5|15 pages

(Re) Writing the Black Female Body or Cleansing Her Soul

Narratives of Generational Traumas and Healing in Edwidge Danticat’s Breath, Eyes, Memory

part III|138 pages

The Global Classroom, Transnational Community, and Cross-Cultural Communication

chapter 8|28 pages

Teaching Edwidge Danticat’s Brother, I’m Dying and The Farming of Bones

Experiences from a Class in Ghana

chapter 10|37 pages

A Comprehensive Resource Guide to Reading and Teaching Brother, I’m Dying

Background, History, and Context: Part A

chapter 11|46 pages

A Comprehensive Resource Guide to Reading and Teaching Brother, I’m Dying

Criticisms, Thematic Analysis, and An Eight-Week Teaching Model: Part B

part IV|96 pages

Citizen-Artist and Teaching as Activism

chapter 13|27 pages

The Exigency of the Floating Homeland and Engaging Postnationalisms in the Classroom

Approaches to Teaching Edwidge Danticat’s Create Dangerously: The Immigrant Artist at Work

chapter 15|26 pages

When the Periphery Comes to the Center

From Writing across the Curriculum to Public Sphere Pedagogy