ABSTRACT

This substantial collection of newly commissioned essays presents an ambitious, entertaining, and accessible guide to developments in Asian art over the past 20 years of the epoch of globalization.

The term ‘global Asia’ signals the genesis and evolution of contemporary art within the context of global economic, social, political, and intellectual change related to the end of the Cold War, decolonization, the emergence of postcolonial societies and cultures, and the rise of a global contemporary art world. In the handbook its editors establish, in an extended introductory section and in four section introductions, the theoretical, geographical, and historical parameters within which the contemporary visual arts of ‘global Asia’ may be described, analyzed, and evaluated. The collected chapters provide a diverse, multiauthored, heterogeneous, and genuinely plural account of art and its contexts. The democratic and inclusive character of globalization is reflected and produced within this anthology, which includes different styles of writing as well as varieties of analytic and thematic focus.

The anthology will appeal to both scholars and students in art history, art practice, curation, contemporary art, fine art, cultural studies, and globalization studies.

part I|41 pages

Contexts, definitions, problems

part II|68 pages

Mappings

chapter 4|14 pages

Orders of Spectating

Rehearsals of sovereignty and new museums of art in the Near East

chapter 7|9 pages

Facts in the Ground

Artefacts, fictions, and national identities in contemporary Palestinian art

chapter 8|20 pages

Telling Time through Nation and Narration

Towards an understanding of 'Asian contemporary art' in global Asia

part III|62 pages

Regions and borders

chapter 9|12 pages

Palestinian Video Art and the Fluxus of Globalization

'Palestinian' as a contemporary national identity

chapter 10|13 pages

Palestinian Video Art and the Fluxus of Globalization

Palestine as an 'imagined community'

chapter 13|12 pages

Metonym and Metaphor, Islands and Continents

Reflections on curating contemporary art from Southeast Asia

part IV|60 pages

Sites, systems, and practices

chapter 14|12 pages

Palestinian International Exhibitions: From Universal Resistance to Global Nomadism – The Case of Qalandiya International

Qalandiya International: the predicament of a colonially defined locality

chapter 15|14 pages

Palestinian International Exhibitions: From Universal Resistance to Global Nomadism – The Case of Qalandiya International

Qalandiya International: a genealogy of institutional patterns, behaviours, and references

chapter 16|10 pages

Art after the March 11 Earthquake and Tsunami

Radical changes in Japanese art

chapter 17|12 pages

Biennales and Triennales in Global Asia

Art as journey and encounter

chapter 18|8 pages

Museum Frenzy

Notes from the field on studying True Color Museum

part V|45 pages

Reflections on the dialectics of contemporary art in Asia

chapter 19|10 pages

The Exhibition

chapter 20|8 pages

The Age of Gold and the Dust of Stars

Paradise and fall in the paintings of Li Xinping

chapter 21|6 pages

The Provincial Cosmopolitan

Emily Jacir and the Mediterranean Sea

chapter 22|7 pages

A New Ecology of Knowledges

Modes of abyssal thinking

chapter 23|10 pages

From Dusty Warehouses to the White Cube

BizArt and the developing forms of contemporary art display in Shanghai