ABSTRACT

Starting out as a filmmaker comes with a host of limitations and restrictions leading to one key question: how do you channel your creativity past these daunting challenges to create compelling and impactful films? Authors William Pace and Ingrid Stobbe advise the key is to not consider them roadblocks to being creative, but opportunities. Providing both historical and contemporary examples, as well as outlining practical exercises filmmakers can apply to their own creative processes, they illustrate how filmmakers can transform obstacles into successes.

Looking into limitations and restrictions arising at all stages of the film production process, the book illuminates the importance of developing unique creative muscles and how to apply them to your own work. This is a unique text in the field that provides both a theoretical and practical approach to inspired and savvy filmmaking that uses limitations as points of inspiration. Drawing on examples from artists like Frank Oz, Pete Docter, Gabby Sumney, and Shaun Clarke, filmmakers will gain a well-rounded understanding of the creative processes behind motion picture production and learn how to shape their own independent creative voice when utilizing budget-conscious, creatively aware filmmaking. Foregrounding limitation-embracing strategy and capability, making a film for the first time or with limited resources is no longer overwhelming with this highly practical textbook. 

Ideal for undergraduate students of film production and first-time filmmakers.

part Pt. I|77 pages

Limitation Throughout History

chapter 1|7 pages

The Problem of Choice

Psychology and the Effective Storyteller

chapter 4|17 pages

From Sow's Ear To Silk Purse

Creative Victories Through Limitation

part Pt. II|37 pages

Practical Implementation

chapter 5|3 pages

The Why of Why

Why Is Each Element of Production Important, and How Does Limitation Aid the Visual Storyteller?

chapter 6|10 pages

Exercises in Limitation

Storytelling on the Page

chapter 7|12 pages

Exercises in Limitation

Storytelling on Screen

chapter 8|10 pages

Exercises in Limitation

Storytelling in the Editing Room

part Pt. III|6 pages

Conclusions

part Pt. IV|40 pages

Interviews

part Pt. V|10 pages

Addendum