ABSTRACT

This book examines the relationships between theatrical representations and socio-political aspects of Rapa Nui culture from pre-colonial times to the present.

This is the first book written about the production of Rapa Nui theatre, which is understood as a unique and culturally distinct performance tradition. Using a multilingual approach, this book journeys through Oceania, reclaiming a sense of connection and reflecting on synergies between performances of Oceanic cultures beyond imagined national boundaries. The author argues for a holistic and inclusive understanding of Rapa Nui theatre as encompassing and being inspired by diverse aspects of Rapa Nui performance cultures, festivals, and art forms.

This book will be of great interest to students and scholars of Indigenous studies, Pacific Island studies, performance, anthropology, theatre education and Rapa Nui community, especially schoolchildren from the island who are learning about their own heritage.

chapter |11 pages

Prologue

part Act One|50 pages

Rapa Nui Theatre and the Oceanic Context

part Act Two|16 pages

Navigating an Ongoing Colonial Relationship Between Rapa Nui and Chile and Its Implications to the Rapa Nui Performing Arts

part Act Three|118 pages

‘A'amu Tuai, the Production of Rapa Nui Theatre

chapter Scene IX|17 pages

The Formalisation of Rapa Nui Theatre

chapter |3 pages

Epilogue