ABSTRACT

In spite of Connie Willis’s numerous science fiction awards and her groundbreaking history as a woman in the field, there is a surprising dearth of critical publication surrounding her work. Taking Doomsday Book as its cue, this collection argues that Connie Willis’s most famous novel, along with the rest of her oeuvre, performs science fiction’s task of cognitive estrangement by highlighting our human inability to read the times correctly—and yet also affirming the ethical imperative to attempt to truly observe and record our temporal location. Willis’s fiction emphasizes that doomsdays happen every day, and they risk being forgotten by some, even as their trauma repeats for others. However, disasters also have the potential to upend accepted knowledge and transform the social order for the better, and this collection considers the ways that Willis pairs comic and tragic modes to reflect these uncertainties.

chapter |24 pages

Introduction

part I|32 pages

Contagion

chapter 1|12 pages

All This Has Happened Before, and All This Will Happen Again

Doomsday Book and Recurring Pandemics

chapter 2|18 pages

Flip Passes

Interpreting Agency and Contagion in Bellwether

part II|44 pages

Individual and Collective Trauma

chapter 3|18 pages

Emergency Unpreparedness

Responses to Disaster in Connie Willis's Passage

chapter 4|24 pages

Taking It Personally

Private Engagement with Public Trauma from World War II to J.F.K.

part III|40 pages

Incarnation and Embodiment

chapter 5|17 pages

“You Were Here All Along”

Doomsday Book and the Bodies of Christ

chapter 6|21 pages

Christmas Every Day

Incarnational Theology in Connie Willis's “Inn” and “Epiphany”

part IV|40 pages

Intertextuality

chapter 8|18 pages

Finding Love (and Truth?) in the Midst of Chaos

The Influence of Dorothy L. Sayers's Detective Fiction on To Say Nothing of the Dog

part V|50 pages

Genre, Gender, and Xenophobia

chapter 9|25 pages

The Mote in the Jester's Eye

Aspects of Race and Gender in Connie Willis's Light Short Fiction

chapter 10|23 pages

“Tell All the Truth but Tell It Slant”

Rhetorical Humor in Connie Willis's Short Fiction

part VI|48 pages

Humanist and Posthumanist Witness

chapter 11|23 pages

Messages in a Bottle

The Historian's Ethic in Connie Willis's Quantum Universe

chapter 12|23 pages

Schrödinger's Cathedrals

Humanist Memory and Posthumanist Sacramentality in Connie Willis's Fiction