ABSTRACT

Seeing Shakespeare’s Style offers new ways for readers to perceive Shakespeare and, by extension, literary texts generally. Organized as a series of studies of Shakespeare’s plays and poems, poetry, and prose, it looks at the inner functioning of language and form in works from all phases of this writer’s career. Because the very concept of literary style has dropped out of so many of our conversations about writing, we need new ways to understand how words, phrases, speeches, and genres in literature work. Responding to this need, this book shows how visual representations of writing can lead to a deeper understanding of language’s textures and effects. Starting with chapters that a beginning reader of Shakespeare can benefit from, its second half puts these tools to use in more in-depth examinations of Shakespeare’s language and style. Although focused on Shakespeare’s works, and the works of his contemporaries, this book provides tools for all readers of literature by defining style as material, graphic, and shaped by the various media in which all writers work.

part I|100 pages

Starting Out With Style

chapter 1|11 pages

Seeing Shakespeare's Style

chapter 2|9 pages

How to Read a Shakespeare Page

chapter 3|29 pages

Shakespeare's Verse

chapter 4|23 pages

Shakespeare's Prose

chapter 5|26 pages

Shakespeare's Imagery

part II|167 pages

Seeing Style in Play

chapter 6|24 pages

The Contexts of Shakespeare's Prose

chapter 7|28 pages

Letting Prose Out of the Box

Marlowe, Kyd, and the Verse/Prose System

chapter 8|23 pages

Shakespeare and the Representation Market

chapter 9|15 pages

Seeing the Verse in Q1 Hamlet

chapter 10|13 pages

Quoting Hamlet

chapter 11|18 pages

Shakespeare's Literary Stage Directions

chapter 12|24 pages

Rhyme in Arden of Faversham