ABSTRACT

The Routledge Handbook of Music and Migration: Theories and Methodologies is a progressive, transdisciplinary paradigm-shifting core text for music and migration studies. Conceptualized as a comprehensive methodological and theoretical guide, it foregrounds the mobile potentials of music and presents key arguments about why musical expressions matter in the discussion of migration politics.

24 international specialists in music and migration set methodological and theoretical standards for transdisciplinary collaborations in the field of migration studies, discussing 41 keywords, such as mobility, community, research ethics, human rights, and critical whiteness in the context of music and migration. The authors then apply these terms to 16 chapters, which deal with ethnomusicological, musicological, sociological, anthropological, geographical, pedagogical, political, economic, and media-related methodologies and theories which reflect and contest current discourses of migration. In their interdisciplinary focus, these chapters advance interrelations between music and migration as enabling factors for socio-cultural studies. Furthermore, the authors tackle crucial questions of agency, equality, and equity as well as the responsibilities and expectations of writers and artists when researching migration phenomena as innate human experience. As a result, this handbook provides scholars and students alike with relevant and applicable methodological and theoretical tools in addition to an extensive literature and research review for further research.

part 1|8 pages

Introduction

part 2|168 pages

Key Terms

chapter |4 pages

Acculturation

chapter |5 pages

Agency

chapter |3 pages

Anti-racism

chapter |5 pages

Community

chapter |3 pages

Creativity

chapter |4 pages

Critical Whiteness

chapter |3 pages

Cultural Capital

chapter |3 pages

Cultural Economy

chapter |5 pages

Cultural Mobility

chapter |4 pages

Culture

chapter |3 pages

Diaspora/Diasporic

chapter |3 pages

Difference

chapter |3 pages

Digital Humanities

chapter |7 pages

Discourse

chapter |4 pages

Embodiment

chapter |5 pages

Ethnicity

chapter |4 pages

Exile

chapter |4 pages

Global History

chapter |5 pages

History

chapter |5 pages

Human Rights

chapter |6 pages

Identity

chapter |5 pages

Integration

chapter |4 pages

Intersectionality

chapter |5 pages

Liminality

chapter |4 pages

Material Culture

chapter |2 pages

Memory/Remembrance

chapter |4 pages

Migration

chapter |3 pages

Music

chapter |3 pages

Musical Analysis

chapter |4 pages

The New Mobilities Paradigm

chapter |2 pages

Postcolonialism

chapter |3 pages

Postmigrant

chapter |5 pages

Racism

chapter |4 pages

Research Ethics

chapter |6 pages

Social Networks

chapter |4 pages

Sources/Archives

chapter |2 pages

Transculturality

chapter |3 pages

Translation

chapter |7 pages

Understanding

part 3|132 pages

Theoretical and Methodological Approaches to Music and Migration

chapter 3.1|23 pages

Enacting and Embodying Mobile Voices

“Musicking” as a Tool for (Ethnographic) Migration Research

chapter 3.3|30 pages

Musicological Research with Refugees

Theoretical and Ethical Considerations

chapter 3.4|34 pages

Musical Ethnography

Researching and Representing Migration, Expressive Culture, and Politics of Belonging

chapter 3.5|22 pages

Polyphonic History

On Histoire Croisée as a Method of Musicological Exile and Migration Research

part 4|67 pages

Mobility Impulses and Kinetic Momentums

chapter 4.1|22 pages

Music and Cultural Mobility

chapter 4.2|30 pages

Music and Urban Migration

The City, Mobile Ethnography, and Affective Citizenship

chapter 4.3|13 pages

Between “Return Mobilities” and the Hope for an End to Exile

Musicology and Remigration Research

part 6|100 pages

Postcolonial and Transcultural Perspectives on Music and Migration

chapter 6.1|26 pages

Perpetual Transformation

Translating Music into New Spaces

chapter 6.2|18 pages

Media, Migration, and Music

Methodological and Theoretical Perspectives

chapter 6.3|18 pages

Writing for Change

Critical Perspectives in Artistic and Scholarly Practices as Calls to Action

chapter 6.4|12 pages

Music – Gender – Migration

Topics, Research Fields, and Methods

chapter 6.5|24 pages

Music and Entrepreneurship

Perspectives from Migrant Business Research