ABSTRACT

Schubert’s Workshop offers a fresh study of the composer’s compositional technique and its development, rooted in the author’s experience of realising performing versions of Franz Schubert’s unfinished works. Through close examination of Schubert’s use of technical and structural devices, Brian Newbould demonstrates that Schubert was much more technically innovative than has been supposed, and argues that the composer’s technical discoveries constitute a rich legacy of specific influences on later composers. Providing rich new insights into the creative practice of one of the major figures of classical music, this two-volume study reframes our understanding of Schubert as an innovator who constantly pushed at the frontiers of style and expression.

chapter 24|6 pages

The ‘Wanderer’ Fantasy

chapter 26|5 pages

The Diabelli Variation

chapter 27|7 pages

Symmetries

chapter 28|3 pages

Segmentation

chapter 29|11 pages

Cycles 1

Closed Cycles

chapter 30|9 pages

Open Cycles

chapter 31|15 pages

Counterpoint in Late Schubert

chapter 32|15 pages

Aspects of Quartet Thinking

part |116 pages

Unfinished Business