ABSTRACT

This book is an introduction to the art and craft of documentary filmmaking with a focus on ethics and impact from development through distribution. Author Shannon Walsh explores point-of-view storytelling, writing for nonfiction, and the art of social change documentary.

Offering an overview of the documentary filmmaking process – from idea to pitch to a final film and impact campaign – this book provides nonfiction filmmakers with the methods required to find a voice, style, and cinematic approach to documentary filmmaking. Key areas covered include definition of styles and genres of documentary film; project development and proposal writing; basic elements of documentary storytelling such as interview techniques, vérité filming, use of archives, stills, and point of view; the process of preparing and delivering a project pitch; pre-production; and finding the necessary elements to tell a story cinematically. With a specific focus on ethics and character-driven storytelling, Walsh shares her own personal insights on talking to strangers and the importance of empathetic listening skills and intuition and provides useful worksheets that filmmakers can use for their own projects.

This book is ideal for both students of documentary filmmaking and aspiring documentary filmmakers who are interested in creating ethical and impactful films.

chapter |5 pages

Introduction

chapter 1|10 pages

Documentary Production

Fear, Failure, & Intuition

chapter 2|25 pages

Finding Stories & Ideas

chapter 3|10 pages

Research, Access, & Point of View

chapter 4|12 pages

Ethics

Representation, Subjectivity, & the Colonized Image

chapter 5|18 pages

Challenging Forms(s)

Ecstatic Truth & Elusive Fiction

chapter 6|4 pages

Intimacies

Autobiography, Family Histories, & Personal Storytelling

chapter 7|11 pages

Script & Treatment Writing for Documentary

chapter 8|14 pages

Developing Strategies for Impact

chapter 9|6 pages

Shooting & Editing in Development

chapter 10|8 pages

Preparing the Pitch

Structure & Components of a Good Pitch

chapter 11|5 pages

Directing with the Moment

Aliveness, Adaptation, & Awareness

chapter 12|15 pages

Preparing for Production

Considerations as You Start Shooting

chapter 13|20 pages

Ethics in Production

Dealing with Film Participants and Crews

chapter 14|12 pages

Talking to Strangers

Establishing Relationships & Doing Interviews

chapter 16|17 pages

Post-production

Editing, Organizing Material, and Re-writing

chapter 17|19 pages

Sparking Impact

Creating Strategies for Change

chapter 18|13 pages

Marketing & Distribution in the Digital Age

chapter 19|3 pages

Further Reading & Resources