ABSTRACT

Sidney Homan defines a pivotal line as “a moment in the script that serves as a pathway into the larger play … a magnet to which the rest of the play, scenes before and after, adheres.” He offers his personal choices of such lines in five plays by Shakespeare and works by Beckett, Brecht, Pinter, Shepard, and Stoppard. Drawing on his own experience in the theatre as actor and director and on campus as a teacher and scholar, he pairs a Shakespearean play with one by a modern playwright as mirrors for each other. One reviewer calls his approach “ground-breaking.” Another observes that his “experience with the particular plays he has chosen is invaluable” since it allows us to find “a wedge into such iconic texts.” Academics and students alike will find this volume particularly useful in aiding their own discovery of a pivotal line or moment in the experience of reading about, watching, or performing in a play.

chapter |12 pages

Introduction

Pivotal Lines in Shakespeare and Others: Finding the Heart of the Play

part I|44 pages

The Theatre's Other Side

chapter 1|21 pages

Hamlet

“Who's There?”

chapter 2|21 pages

Stoppard, Rosencrantz and Guildenstern Are Dead

“Where We Went Wrong Was Getting on a Boat.”

part II|36 pages

Pivotal Moments

chapter 3|18 pages

The Taming of the Shrew

“Kate: Where Did You Study All This Goodly Speech? Petruchio: It Is Extempore, from My Mother-Wit.”

chapter 4|16 pages

Pinter, Old Times

“No. I'll Run It Myself Tonight.”

part III|38 pages

Expanding the World Onstage

chapter 5|20 pages

A Midsummer Night's Dream

“And Grows to Something of Great Constancy”

chapter 6|16 pages

Shepard, True West

“So, They Take Off after Each Other Straight into an Endless Black Prairie.”

part IV|40 pages

Theatrical Presence

chapter 7|18 pages

The Comedy of Errors

“And Here We Wander in Illusions.” And “I'll Entertain the Offered Fallacy.”

chapter 8|20 pages

Beckett, Waiting for Godot

“Tell Him … [He Hesitates] … Tell Him You Saw Me and That … [He Hesitates] … That You Saw Me.”

part V|41 pages

Playing Offstage

chapter 10|19 pages

King Lear

“Do You See This? Look on Her! Look, Her Lips.”

chapter |7 pages

Epilogue

A Manual for the Audience