ABSTRACT

The Routledge Companion to Vsevolod Meyerhold brings together a wealth of scholarship on one of the foremost innovators in European theatre. It presents a detailed picture of the Russian director’s work from when it first emerged on the modern stage to its multifarious present-day manifestations.

By combining an historical focus with the latest contemporary research from an international range of perspectives and authors, this collection marks an important moment in Meyerhold studies as well as offering a new assessment of his relation to today's theatre-making. Its dynamic blend of research is presented in five sections: Histories enlarges on more conventional subjects like the grotesque and Biomechanics, to overlooked topics such as Meyerhold's ‘failed’ projects and his work in film; Collaborations and Connections extends understandings of Meyerhold’s well-known collaborative capacities to consider new cultural influences and lesser known working relationships; Sources engages with hitherto untapped material in Meyerhold’s oeuvre by reproducing and contextualising previously untranslated primary sources on his work; Practitioner Voices offer lively, on the ground, testimony of the contemporary impact of Meyerhold's practice; Meyerhold in New Contexts maps the routes of his practice across continents and examines ways in which his work is being applied in a number of contemporary scenarios, such as motion capture, computer-based 3D visualisations, and the ‘new normal’ of digital pedagogy.

This is a key resource for students and scholars of European Theatre, acting theory, and actor training, as well as for those more broadly interested in the socio-political impact of theatre.

part I|103 pages

Histories

chapter |7 pages

Introduction

chapter 1|22 pages

Vsevolod Meyerhold and Cinema

chapter 2|14 pages

Meyerhold, the Musician

chapter 3|13 pages

Meyerhold in the 1930s

Language, Text, Performance

chapter 4|12 pages

Meyerhold's Hamlet

An Unrealised Dream

part II|93 pages

Collaborations and Connections

chapter |5 pages

Introduction

chapter 7|13 pages

Meyerhold and Stanislavsky

Forty Years of Cordial Disagreement

chapter 8|13 pages

An Unknown Legacy

Uncovering Traces of Savva Mamontov's Work in Meyerhold's Conditional Theatre

chapter 9|13 pages

Meyerhold's Female Collaborators

chapter 11|15 pages

Towards Conscious and Independent Action

Pyotr Lesgaft's System of Physical Education as Inspiration for Meyerhold's Biomechanics

chapter 12|15 pages

Meyerhold and Trotsky

part III|89 pages

Sources

chapter |2 pages

Introduction

chapter 13|8 pages

The Commedia Dell'arte Origins of Biomechanics

Part 1: Actor Training and Collective Creation at Meyerhold's Borodinskaia Street Studio

section |32 pages

Part 2: Documents on Actor Training and Collective Creation at Borodinskaia

chapter 14|45 pages

Fragments of A Creative Life

Introduction to Five New Sources

part IV|61 pages

Practitioner Voices

chapter |4 pages

Introduction

chapter 16|13 pages

The Evolution of Proper Job

Working with Meyerhold in the Contemporary British Theatre

chapter 17|11 pages

Biomechanical Diasporas

Practitioner Perspectives on the Transmission of Meyerhold's Techniques

chapter 18|4 pages

Transmission Impossible

chapter 19|15 pages

Decoding the Riddle

Applying Meyerhold's Conception of the Director's Explication

part V|140 pages

Meyerhold in New Contexts

part V.1|71 pages

Transnational Migrations

chapter |4 pages

Introduction

chapter 21|16 pages

Nesting Dolls

Sketches in Search of Meyerhold in Australia

chapter 22|10 pages

An Unexpected Triangle

Politis, Meyerhold, and Karaghiozis in Interwar Greece

chapter 23|18 pages

Biomechanical Resonances in Turkey

The Working Method of Studio Oyuncuları

part V.2|66 pages

Interdisciplinarities

chapter |4 pages

Introduction

chapter 25|14 pages

Meyerhold in the 21st Century

The Meeting Points of Biomechanics and Postdramatic Performance

chapter 26|18 pages

The New Meyerhold Theatre

Visualising A Lost Architectural Experiment

chapter 28|15 pages

Biomechanics in Lockdown

Teaching Meyerhold in the Age of COVID-19