ABSTRACT

Drawing on recent studies on life writing, memory, the narrative turn, and psychology, Conrad, Autobiographical Remembering, and the Making of Narrative Identity is the first major work that extensively explores the dynamic interplay between Conrad’s autobiographical remembering and storytelling in relation to his identity construction within a historical and cultural context. This unique perspective makes the book particularly attractive for students, teachers, and researchers of Conrad. Contrary to the prevalent "achievement-and-decline" paradigm that implies a decline in quality of Conrad’s works in his later period, this volume contends that Conrad’s later works continue to engage with the complex questions of memory, identity, and culture, demonstrating a sustained commitment to exploring the intricacies of the human experiences. Essential reading for Conrad enthusiasts, but also for those who seek to explore how memory studies in literature intersect with psychology, philosophy, and cultural studies.

chapter |27 pages

Introduction

Conrad as a Poetic Rememberer

chapter 1|38 pages

Future-Oriented Remembering

Almayer's Folly and A Personal Record

chapter 2|44 pages

Memory as an Interpretative Feat

“An Outpost of Progress,” Heart of Darkness, and the Other

chapter 3|32 pages

Community-Mediated Memory

Remembering Lord Jim

chapter 4|35 pages

Emotion-Mediated Memory

The Conflation of Past and Present in The Shadow-Line

chapter |10 pages

Conclusion

A New Metaphor of Memory