ABSTRACT

Combining narratological and stylistic methods, this book theorizes dual narrative dynamics consisting of plot development and covert progression and demonstrates the consequences for the interpretation of literary works.
In narratives with such dynamics, writers work simultaneously with overt and covert trajectories of signification, establishing a range of relationships between them. The two parallel narrative movements may complement, contradict or even subvert each other, and these relationships significantly influence readers’ understanding not just of events but also of characters, themes, and aesthetic values. The book provides a systematic theoretical account of such previously neglected dual narrative dynamics, substantiated and enriched by the textual analysis of works by Ambrose Bierce, Kate Chopin, Franz Kafka, and Katherine Mansfield. The study explores the many ways that these authors have used dual dynamics to increase the power of their narratives. In addition, the book identifies the challenges such dual dynamics present not only for narratology but also for stylistics and translation studies, and it develops sound and provocative proposals for meeting those challenges.
In taking an interdisciplinary approach, this book will appeal to scholars and students in the fields of narrative and literary theory, literary criticism, literary stylistics, and translation studies.

chapter |16 pages

Introduction

part II|84 pages

Practice

chapter 6|15 pages

Naturalistic covert progression behind complicated plot development

Chopin's “A Pair of Silk Stockings”

chapter 7|14 pages

Dual dynamics versus single dynamic

Bierce's “A Horseman in the Sky” and “The Affair at Coulter's Notch”

chapter 8|8 pages

Societal Conflict Hidden Behind Personal Conflict

Kafka's “The Judgment”

chapter 9|15 pages

Actually unrequited behind superficially mutual love

Mansfield's “Psychology”

chapter 10|15 pages

One focalization, dual progression, and twofold irony

Mansfield's “A Dill Pickle”

chapter 11|15 pages

Gender reversal behind miserable life

Mansfield's “Life of Ma Parker” in contrast with Chekhov's “Misery”

chapter |8 pages

Conclusion