ABSTRACT

Entangled Performance Histories is the first book-length study that applies the concept of "entangled histories" as a new paradigm in the field of theater and performance historiography.

"Entangled histories" denotes the interconnectedness of multiple histories that cannot be addressed within national frameworks. The concept refers to interconnected pasts, in which historical processes of contact and exchange between performance cultures affected all involved. Presenting case studies from across the world—spanning Africa, the Arab-speaking world, Asia, the Americas and Europe—the book’s contributors systematically expand, exemplify and examine the concept of "entangled histories," thus introducing various innovative concepts, theories and methodologies for investigating reciprocally consequential processes of interweaving performance cultures from the past. Bringing together examples of entanglements in theater and performance histories from a broad variety of geographical and historical backgrounds, the book’s contributions build together a broad basis for a possible and necessary paradigmatic shift in the field of theater and performance historiography.

Ideal for researchers and students of history, theater, performance, drama and dance, this volume opens novel perspectives on the possibilities and challenges of investigating the entangled histories of theater and performance cultures on a global scale.

chapter |34 pages

Introduction: Entangled Performance Histories

New Approaches to Theater Historiography

part I|42 pages

Methodological Reflections

part II|48 pages

Hidden Histories—Forgetting and Remembering

chapter 783|27 pages

William Kentridge's The Head & The Load

Theatrical Collage and the Color of Memory

chapter 4|19 pages

Hijikata Tatsumi at the Osaka World Exposition's Pepsi Pavilion, 1970

Multiple Historiographies of a Lost Performance

part III|40 pages

Entanglements between Drama, Theater and Colonial Historiographies

chapter 1265|18 pages

Disentangling Colonial Archives

The Combustible Affair of Ensuring/Insuring Theater Safety in Colonial Singapore

chapter 6|20 pages

The Thorny Entanglements of Theater and Colonial Historiography in the Netherlands

Anti-colonial Critique and Imperial Nostalgia in J. Slauerhoff's Play Jan Pieterszoon Coen (1931)

part IV|46 pages

Emergence and Transformation of Genres

chapter 1667|23 pages

Reversibility as Historiographical Method

Japanese Theater and Its Doubles

chapter 8|21 pages

Plumbing the Past to Project into the Future

The Entangled Trajectories of Flamenco's Twenty-First-Century Avant-Garde

part V|67 pages

National Theater Histories—Entanglements and Disentanglements

chapter 10|24 pages

Writing History as Disentanglement

Toward a Historiography of Modern Greek Theater

chapter Coda|20 pages

The Whirligig Of Tech

Theater as Media Archaeology