ABSTRACT

Examining a range of South Asian Anglophone diasporic fiction and poetry, this monograph opens a new dialogue between diaspora studies and gender studies. It shows how discourses of diaspora benefit from re-examining their own critical relation to concepts of the maternal and the motherland. Rather than considering maternity as a fixed or naturally given category, it challenges essentialist conceptions and explores mothering as a performative practice which actively produces discursive meaning. This innovative approach also involves an investigation of central metaphors in nationalist and diasporic rhetorics, bringing critical attention to the strategies they employ and the unique aesthetic forms they produce.

chapter 1|32 pages

Introduction

More than one mother

chapter 2|41 pages

Historical performances

Reading Mother India in nationalist discourse and Kipling

chapter 3|29 pages

Citational performances

“Talking major mother country” in Rushdie's Midnight's Children

chapter 4|37 pages

Exile performances

Pakistani mother–daughter relationships in Bapsi Sidhwa's Cracking India and Sara Suleri's Meatless Days

chapter 5|35 pages

Maternal performances

Mother tongues in Ravinder Randhawa's A Wicked Old Woman and Monica Ali's Brick Lane

chapter 6|17 pages

Outlook and conclusion

Diasporic maternal aesthetics