ABSTRACT

What Does ‘Art’ Mean Now? asks, and answers, fundamental questions about the nature of aesthetic experience and role of the arts in contemporary society. The Modern Age, Romanticism and beyond, viewed art as something transcending and separated from life, and usually something encountered in museums or classrooms. Nowadays, however, art tends to be defined not by a commonly agreed-upon standard of “quality” or by its forms, such as painting and sculpture, but instead by political and ideological criteria. So how do we connect with the works in museums whose point was precisely that they stood apart from such considerations? Can we and should we be educated to “appreciate” art—and what does it do for us anyway? What are we to make of the so-different newer works—installations, performances, excerpts from the world—held to be art that increasingly make it into museums? Adopting a subjectivist approach, this book argues that in the absence of a universal judgment or standard of taste, the experience of art is one of freedom. The arts give us the means to conceptualize our lives, showing us ourselves as we are and as we might wish—or not wish—to be, as well as where we have been and where we are going. It will appeal to scholars of sociology, philosophy, museum studies, and art history, and to anyone interested in, or puzzled by, museums or college courses and their presentation of art today.

 

part I|69 pages

Theory

chapter 1|15 pages

Esthetics Beyond Esthetics

The Demise of the Separated Artwork

chapter 2|12 pages

A Definition of Art for Our Times

Personal Impersonal/Impersonal Personal

chapter 3|11 pages

Correcting Modernism

Putting the Subjective Back In

chapter 4|8 pages

Nailing the Problem a Century Ago

Dewey's Art as Experience

chapter 5|21 pages

Our Situation Now

Blurring the Line Between Art and the World

part II|58 pages

Museums

chapter 6|14 pages

Audience and Survival

Two Aspects That Define Art

chapter 7|14 pages

Principles of Ordering the Separated Artwork

Museums and Collections

chapter 8|8 pages

Unconventional Ordering

Ripley's “Believe It—OR NOT!”

chapter 9|12 pages

What Counts as an Artwork

The Small Hard Things of the Bactrian Hoard

chapter 10|8 pages

Do Museums Come to Life at Night?

The Revenge of the Separated Work

part III|72 pages

Literature

chapter 11|21 pages

What's Literature Good For?

Mirroring/Escape and Explanation/Vaccination

chapter 12|19 pages

It Isn't Fake Anything

Literature and the World

chapter 13|30 pages

Problems with Literature