ABSTRACT

This book provides a comprehensive account of German animation history, as well as an analysis of the current state of the industry in competition with American and cheaper international products in the face of dwindling budgets.

Covering film and TV, 2D and 3D animation, the book considers how Europe has lost its domestic territory of narratives to international competitors. A connection is made between film history and contemporary history: World War I, the Weimar Republic, National Socialism, World War II, the Federal Republic and German Democratic Republic, Reunification, the European Union, Digitalization and Globalization, and a turn of eras initiated by pandemic, war and inflation.

This book will be of great interest to academics, students, and professionals working and researching in the field of animation.

chapter 1|9 pages

The Golem Anticipates Fantasia

chapter 2|20 pages

Mickey Who?

chapter 3|4 pages

Puppetoons

chapter 4|5 pages

A German Fairy Tale “Disneyfied”

chapter 5|13 pages

Herr Hitler and Mister Mouse

chapter 6|13 pages

The German Sense of Humor

chapter 8|18 pages

Somersault to Dachau

chapter 9|14 pages

The Denazification of German Trick Film

chapter 10|9 pages

Comic Strips in Germany (West and East)

chapter 11|8 pages

Go East

chapter 12|24 pages

Big Tattoo for Little Men

chapter 13|24 pages

Bölkstoff for Preschoolers

chapter 14|3 pages

Star Wars Worship

chapter 15|20 pages

The Essence of Animation in Germany