ABSTRACT

First published in 1956, The English Master of Arms presents a fascinating chapter of social history, not merely of fencing. It was the common custom of gentlemen to bear arms, and the background to this custom is an important aspect of history of manners and conduct. Changes in social condition made the weapon an accessory to dress rather than a protective equipment; but the enthusiasm for the cult of arms increased. Amply encouraged, the Master of Arms brought his art ever nearer to perfection; at the same time, he became a recognised arbiter of conduct, for he insisted upon the exact observance of a strict code of honour, of courtesy, and of self-restraint.

Essentially unassuming, he relied for his social influence upon his own example, and he seemed to his contemporaries such an unchanging unit in the established order of life that it did not occur to them to hand down their impressions to succeeding generations. This book is an effort to remedy their omission by recording from widely scattered sources the simple annals of the English Master of Arms, of how he emerged, established his schools, and taught his art.

chapter |6 pages

Prologue

chapter I|10 pages

The Mediaeval Master

chapter II|13 pages

The Tudor Master

chapter III|9 pages

Playing a Prize

chapter IV|11 pages

Rocco Bonetti

chapter V|11 pages

Jeronimo and Saviolo

chapter VI|13 pages

George Silver

chapter VII|18 pages

The Jacobean Master

chapter VIII|16 pages

Monsieur Faubert's Academy

chapter IX|7 pages

The Carey Manuscript

chapter X|15 pages

The Gladiators, I

chapter XI|15 pages

The Gladiators, II

chapter XII|16 pages

Sir William Hope

chapter XIII|13 pages

Donald McBane

chapter XIV|18 pages

The Eighteenth-Century Master

chapter XV|15 pages

The Later Georgian Masters

chapter XVI|15 pages

The Angelo School

chapter XVII|13 pages

The Nineteenth Century

chapter XVIII|14 pages

Renaissance

chapter |5 pages

Epilogue