ABSTRACT

The Fairy Tale World is a definitive volume on this ever-evolving field. The book draws on recent critical attention, contesting romantic ideas about timeless tales of good and evil, and arguing that fairy tales are culturally astute narratives that reflect the historical and material circumstances of the societies in which they are produced. The Fairy Tale World takes a uniquely global perspective and broadens the international, cultural, and critical scope of fairy-tale studies. Throughout the five parts, the volume challenges the previously Eurocentric focus of fairy-tale studies, with contributors looking at:

• the contrast between traditional, canonical fairy tales and more modern reinterpretations;

• responses to the fairy tale around the world, including works from every continent;

• applications of the fairy tale in diverse media, from oral tradition to the commercialized films of Hollywood and Bollywood;

• debates concerning the global and local ownership of fairy tales, and the impact the digital age and an exponentially globalized world have on traditional narratives;

• the fairy tale as told through art, dance, theatre, fan fiction, and film.

This volume brings together a selection of the most respected voices in the field, offering ground-breaking analysis of the fairy tale in relation to ethnicity, colonialism, feminism, disability, sexuality, the environment, and class. An indispensable resource for students and scholars alike, The Fairy Tale World seeks to discover how such a traditional area of literature has remained so enduringly relevant in the modern world.

chapter |14 pages

Introduction

The fairy tale and the world

part I|2 pages

The Formation of The Canon

chapter Chapter One|16 pages

Global or Local? Where Do Fairy Tales Belong?

chapter Chapter Two|12 pages

‘Decolonizing’ the Canon

Critical challenges to Eurocentrism

chapter Chapter Four|10 pages

The Formation of The Literary Fairy Tale in Early Modern Italy

1550–1636

chapter Chapter Five|12 pages

Social Change and the Development of the Fairy Tale in France

1690–1799

chapter Chapter Six|12 pages

National/International/Transnational

The Brothers Grimm and their fairy tales

chapter Chapter Seven|10 pages

By Forgotten Hands

The role of translation in the emergence of the fairy tale

part II|2 pages

Africa and the Caribbean

chapter Chapter Eight|4 pages

Fairy Tale in Africa

A contrast of centuries

chapter Chapter Nine|12 pages

Narratives of the Southwest Indian Ocean

Commonalities and localizations

chapter Chapter Eleven|12 pages

Strangers and Defiant Maids

Empire and the African folk narrative

chapter Chapter Thirteen|12 pages

Francophone Fairy Tales in West Africa and the Caribbean

Colonizing and reclaiming tradition

chapter Chapter Fourteen|14 pages

This is not a Fairy Tale

Anansi and the web of narrative power

chapter Chapter Fifteen|12 pages

Decolonizing the Curriculum

African fairy tales and literacies

part III|2 pages

The Americas

chapter Chapter Sixteen|11 pages

Myths and Folktales in Latin America

chapter Chapter Eighteen|11 pages

The American Dream

Walt Disney’s fairy tales

chapter Chapter Nineteen|16 pages

African–American Adaptations of Fairy Tales

chapter Chapter Twenty|12 pages

Sexes, Sexualities, and Gender in Cinematic North and South American Fairy Tales

Transforming Cinderellas

chapter Chapter Twenty-Two|11 pages

Fairy Tales and Digital Culture

chapter Chapter Twenty-Three|14 pages

Fairy Tale, Fan Fiction, and Popular Media

part IV|1 pages

Asia and Australasia

chapter Chapter Twenty-Four|10 pages

Fairy-Tale Worlds of South Asia

chapter Chapter Twenty-Five|15 pages

Lovely Fairies and Crafty Ghosts in Indian Tales

chapter Chapter Twenty-Six|11 pages

Fairy Tale in the Bollywood Film

chapter Chapter Twenty-Seven|12 pages

Fairy Tales in China

An ongoing evolution

chapter Chapter Twenty-Eight|9 pages

The Fairy Tale in Contemporary Japanese Literature and Art

chapter Chapter Twenty-Nine|12 pages

Memory, Trauma and History

Fairy-tale film in Korea

chapter Chapter Thirty|10 pages

Fairies In a Strange Land

Colonization, migration, and the invention of the Australian fairy tale

chapter Chapter Thirty-One|11 pages

Renegotiating ‘Once Upon a Time’

Fairy tales in contemporary Australian writing

part V|2 pages

Europe

chapter Chapter Thirty-Two|11 pages

The European Sources of the Fairy Tale

A case study of ATU 171, “The Three Bears”

chapter Chapter Thirty-Three|13 pages

“No Fairy Tales of their Own?”

The English and the fairy tale from Thoms to Jacobs

chapter Chapter Thirty-Five|12 pages

Eco-Critical Perspectives

Nature and the supernatural in the Cinderella cycle

chapter Chapter Thirty-Six|13 pages

Tales Retold

Fairy tales in contemporary European visual art

chapter Chapter Thirty-Seven|11 pages

New Materialism and Contemporary Fairy-Tale Fiction

chapter Chapter Thirty-Eight|11 pages

Of Genres and Geopolitics

The European fairy tale and the global novel