ABSTRACT

Exploring what it means to be an authentic therapist in the present day, Sara London playfully melds together the tenets of performance art and psychoanalytic theory to advance the hopeful new notion of the performance therapist.

In an era where the therapist is now more of a public-facing entity than ever before, developing a sense of who one is both inside and outside of the consulting room is a complex undertaking. In response, London reconceptualises the therapist’s identity in a contemporary way, transcending preconceived labels, by bringing an understanding of performance art into an analysis of psychotherapeutic practice. Through this interdisciplinary approach, London attends to the complex questions faced by psychoanalysts and psychotherapists in training and in practice: can a therapist perform and be authentic? Can a therapist perform and have true intimate relationships within the confines of that performance? And can a therapist perform as themselves?

This provocative and highly original work will provide both new and experienced psychotherapists with an understanding of the clinical and philosophical significance of performance art to cultivating therapeutic identity.

chapter |7 pages

Introduction

part I|18 pages

Performance art

chapter 1|6 pages

History of performance art

chapter 2|4 pages

Performance art in practice

chapter 3|6 pages

Performance art in psychoanalysis

part II|17 pages

Identity

chapter 4|4 pages

The tripartite structure

chapter 5|4 pages

The persona

chapter 6|5 pages

The False Self and the idealized image

part III|35 pages

Performance (of the therapist)

chapter 7|8 pages

The structural performance

chapter 8|8 pages

The emotional performance

chapter 9|6 pages

The intersection of structure and emotion

How a therapeutic performance looks

chapter 10|9 pages

The therapeutic table set for two

part IV|26 pages

Authenticity

chapter 11|6 pages

Performing a “real relationship”

chapter 12|8 pages

Self-disclosure and authenticity

chapter 13|7 pages

Authenticity and the environment

part V|10 pages

Application